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ºñÁî¾ØºñÁî ¿µÈ ºñµð¿À ½Ã¸®Áî1
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Setting up your shots : great camera moves every filmmaker should know
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¡º¼¦ÀÇ ±â¹ý(2ÆÇ)¡»Àº °¡Àå À§´ëÇÑ Çʸ§¸ÞÀÌÄ¿µéÀÌ »ç¿ëÇÑ ¼¦µé°ú ¿µÈ ±â¹ýµéÀ» »ðÈ¿Í ÇÔ²² ¾Ë±â ½±°Ô ¼³¸íÇÑ Ã¥ÀÌ´Ù. ¾ö¼±ÇÑ 350ÆíÀÇ ¿µÈ¿¡¼ Àå¸éµéÀ» ºÐ¼®ÇÏ¿© ±×µé ¿µÈ¿¡¼ »ç¿ëµÈ 140¿©°³ÀÇ ¿µÈ ±â¹ýÀ» ´Ù·é´Ù.
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¿µÈ´Â °ü°´µé°ú Ưº°ÇÑ »ý°¢°ú °¨Á¤µéÀ» ¼ÒÅëÇϱâ À§ÇØ ÀÏ·ÃÀÇ ¿µÈÀû ȹýÀ» °®´Â´Ù. ÀÌ Ã¥Àº ¿µÈ°¡ ¾î¶»°Ô ÀÛ¿ëÇÏ´ÂÁö °ü½ÉÀ» °®°í ¸¹Àº ¿µÈ Àå¸éµéÀ» ºÐ¼®¡¤±â·ÏÇÏ¿© ±×µé ¿µÈ¿¡¼ »ç¿ëµÈ °øÅëµÈ ±â¹ýÀ» ¹ß°ßÇÏ¿© ü°èÀûÀ¸·Î Á¤¸®ÇÏ¿´´Ù. ±×¸®°í °³º° ¿µÈ ±â¹ý¸¶´Ù µ¶Æ¯ÇÑ ¸íĪÀ» ºÎ¿©ÇÏ¿© ÀÚ½ÅÀÌ º» ¿µÈ¿¡¼ »ç¿ëµÈ ¿µÈ ±â¹ýµéÀ» ½Äº°ÇÒ ¼ö ÀÖ´Â ÈǸ¢ÇÑ µµ±¸·Î »ïÀ» ¼ö ÀÖµµ·Ï Çß´Ù. ÀÌ µµ±¸¸¦ ÀÌÇØÇÏ°í ÀÚ½ÅÀÇ °ÍÀ¸·Î ¸¸µç´Ù¸é, ¿©·¯ºÐÀÌ °¡Áø ¿µÈ ¾ð¾î¸¦ ÇÑÃþ ´õ ¼º¼÷ÇÏ°Ô ¸¸µé¾î ÁÙ °ÍÀÌ´Ù.
ÀÌ Ã¥À¸·Î ¿©·¯ºÐÀº ¿µÈ ±â¹ýÀ» ¹ß°ßÇÒ ¼ö ÀÖ´Â ´«À» °®°Ô µÇ¸ç, ¿µÈ¸¦ ´õ¿í´õ ÀÌÇØÇÒ ¼ö ÀÖ°Ô µÇ°í, °¡Àå È¿°úÀûÀÎ ¼¦ÀÇ ¼±Åðú ÃÖ´ë È¿°ú¸¦ ÀÚ½ÅÀÇ ¿µÈ¿¡ ¸íÈ®ÇÏ°Ô º¸¿©ÁÙ ¼ö ÀÖ°Ô µÉ °ÍÀÌ´Ù.
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±âº»Àû ¿µÈ ±â¹ý ......................................................11
ÆÒ / Pan ...............................................................12
Æ¿Æ® / Tilt .............................................................13
´Þ¸® / Dolly .........................................................13
Æ®·¢Å· ¼îÆ® / Tracking Shot ....................................14
¸ÞÄ«´ÏÄÃ / Mechanical ............................................15
ÃÊÁ¡Á¶Àý / Pull Focus .............................................16
ÁÜ / Zoom .............................................................17
Àå¸éÀüȯ / Transition .............................................18
¸ùŸÁÖ / Montage ...................................................19
ÇÁ·¹ÀÌ¹Ö ¿ë¾î /Framing Term .................................20
¿¬½À°úÁ¦ ...............................................................21
±¸µµ ±â¹ý ...............................................................23
Ä«¸Þ¶ó ³ôÀÌ / Camera Height .....................................24
±ØÀû (ÃÔ¿µ)¾Þ±Û / Dramatic Angle .............................25
ÀͽºÆ®¸² (ÃÔ¿µ)¾Þ±Û / Extreme Angle ........................25
Á¶¾È ½ÃÁ¡ / Bird's-Eye View ...................................25
°¡»ó¼± / Screen Direction .......................................26
±â¿î ¼öÆò¼± / Tilted Horizon ...................................27
±â¿î ¾Þ±Û / Canted Angle ........................................27
ÀͽºÆ®¸² Ŭ·ÎÁî¾÷/Á¢»ç Extreme Close up .................28
½ºÅ×ÀÌ¡ / Staging .................................................29
½Éµµ(3Â÷¿ø) ½ºÅ×ÀÌ¡ / Deep Staging ........................30
Æò¸é(2Â÷¿ø) ½ºÅ×ÀÌ¡ / Planar Staging .....................30
½Ã¼±À¯µµ / Lead the Eye ..........................................31
3°¢ ±¸µµ¿Í 4°¢ ±¸µµ / 3¡¯S and 4'S .............................32
È¸é ¼Ó ÇÁ·¹ÀÓ / Interior Frame ...............................33
·¹À̾î / layers ......................................................34
¸ÖƼ·¹ÀÌ¾î ¾×¼Ç / Multi-Layer Action ......................35
¿¬½À°úÁ¦ ...............................................................36
Å©·¹ÀÎ ±â¹ý ............................................................37
Å©·¹ÀÎ ¾÷, ¹«ºê ¾î¿þÀÌ / Crane Up, Move Away .........38
Å©·¹ÀÎ ´Ù¿î, ¹«ºê Åõ¿öµå / Crane Down, Move Toward ....38
Ž»ö Å©·¹ÀÎ / Searching Crane ................................39
¶óÀÌÁî ¾÷(»ó½Â) / Rise Up ........................................39
Æú ´Ù¿î(ÇÏ°) / Fall Down ........................................39
Å©·¹ÀÎ ÇÁ·Ð Åõ ž / Crane Front-To-Top .................42
Å©·¹ÀÎ ¾÷ ¿£Æ®·±½º / Crane Up Entrance ...................43
Å©·¹ÀÎ ¾÷ ÀͽºÇÁ·¹¼Ç / Crane Up Expression .............44
Å©·¹ÀÎ ¾÷, ·è ´Ù¿î / Crane Up, Look Down ................45
Å©·¹ÀÎ ´Ù¿î, ·è ¾÷ / Crane Down, Look Up ................46
¿¬½À°úÁ¦ ...............................................................47
À̵¿ ±â¹ý ...............................................................49
Àι° ´Þ¸® / Character Dolly ....................................50
¹ß°ß / Discovery ....................................................51
Ç® ¹é ¸®Æ®·¢¼Ç / Pull Back Retraction .......................52
Ç® ¹é ¸®ºô / Pull Back Reveal ..................................53
¿ÀÇÂ ¾÷ / Open Up ..................................................54
Ŭ·ÎÁî ¾Æ¿ô / Close Out ..........................................55
µå·Î¿ì ÀÎ / Draw In ................................................56
µå·Î¿ì ¾Æ¿ô / Draw Out ..........................................57
¼±È¸ ÃÔ¿µ / Spin Around .........................................58
Ç×°ø ÃÔ¿µ / Fly Over ...............................................59
½Éµµ ´Þ¸® / Depth Dolly ..........................................60
´Þ¸® ¾÷ / Dolly Up ..................................................61
´Þ¸® ´Ù¿î / Dolly Down ...........................................61
½ºÇÉ ·è / Spin Look ................................................62
Æ®·¢ ¾²·ç ¼Ö¸®µå / Track Through Solid ....................63
¹öƼ°í / Vertigo ....................................................64
È®Àå ´Þ¸® / Expand Dolly ........................................65
setupº»¹®.indd 5 2010-01-19 ¿ÀÀü 9:58:55
´ÜÃà ´Þ¸® / Contract Dolly ......................................66
ÄÝ·¦½º ´Þ¸® / Collapse Dolly ....................................67
·Õ¼¦ / Long Shot ...................................................68
·ÕÅ×ÀÌÅ© / Long Take .............................................68
Áö¿¬µÈ Á¤º¸°ø°³ / Delayed Revelation .......................69
¿¬½À°úÁ¦ ...............................................................70
½ÃÁ¡ ±â¹ý ...............................................................71
½ÃÁ¡ / POV ............................................................72
µµ±¸ ½ÃÁ¡ / Inventory POV ......................................73
´ë»ó ½ÃÁ¡ / POV Object ...........................................74
¹ß»çü ½ÃÁ¡ / POV Projectile ...................................74
±äÀå ÀÌ¿Ï / Tension Away .......................................75
ÅÙ¼Ç Åõ Ä«¸Þ¶ó / Tension to Camera .........................76
±ú¾îÁø °æ°è / Broken Wall .......................................77
°üÀ½ / Voyeur ........................................................78
¾îµÎ¿î °üÀ½ / Dark Voyeur ......................................79
¸¶½ºÅ© / Mask .......................................................80
ºñ³×Æ® / Vignette ...................................................80
½ºÅ©¸° / Screen .....................................................81
¹Ý¿µ / Reflection ...................................................82
Æ÷Å» / Portal .........................................................83
±×¸²ÀÚ / Shadow ....................................................84
½Ç·ç¿§ / Silhouette ................................................85
ÁÖ°ü / Subjective ...................................................86
¿¬½À°úÁ¦ ...............................................................87
Ä«¸Þ¶ó ±â¹ý ............................................................89
ºü¸¥ ÆÒ / Whip Pan ................................................90
ºü¸¥ ÄÆ / Whip Cut .................................................91
ºü¸¥ ÁÜ ·è / Whip Zoom Look ..................................92
½áÄ¡ ¾÷ / Search Up ...............................................92
¹é Åõ ÇÁ·ÐÆ® / Back To Front ...................................93
Æ÷Ä¿½º ¾Æ¿ô, Æнº ¾Æ¿ô / Focus Out, Pass Out ............94
ÃÊÁ¡ Àüȯ / Focus Transition ...................................95
³ëÃâ°ú´Ù ÆäÀ̵å / Overexpose Fade ..........................96
³ëÃâºÎÁ· ÆäÀ̵å / Underexpose Fade ........................96
½Ç¸µ Æ®À§½ºÆ® / Ceiling Twist ..................................97
Çø³ ¿À¹ö / Flip Over ..............................................98
º¯È¯ °¢µµ / Shifting Angle ......................................99
½½¸³¿À¹ö / Sleepover .............................................100
¿¬½À°úÁ¦ ..............................................................101
ÆíÁý ±â¹ý .............................................................103
Á¡ÇÁ ÄÆ / Jump Cut ...............................................104
¸ÅÄ¡ ÄÆ / Match Cut ..............................................105
ÀÓÆÑÆ® ÄÆ / Impact Cut .......................................106
ÀÓÆÑÆ® ¿òÁ÷ÀÓ / Impact Move .................................106
ÁÖÁ¦ ÄÆ / Thematic Cut ......................................107
ÁÖÁ¦ ¿òÁ÷ÀÓ / Thematic Move .................................107
ÀáÀçÀÇ½Ä ÄÆ / Subliminal Cut .................................108
±³Â÷ÆíÁý / Cross Cut ............................................109
Äƾî¿þÀÌ / Cutaway ..............................................111
Á¤Áö ȸé / Freeze Frame ......................................112
·è¿§ / Look At .....................................................113
¸ÖƼÅ×ÀÌÅ© / Multi-Take .......................................114
ÄÆ ÁÜÀÎ / Cut Zoom In ...........................................115
ÄÆ Áܾƿô / Cut Zoom Out .....................................116
¸ùŸÁÖ ½ÃÄö½º / Montage Sequence .........................117
Á¡ÇÁ ÄÆ ½ÃÄö½º / Jump Cut Sequence ......................118
ºÐÇÒȸé / Split Screen .........................................119
º¸Á¶È¸é / Sub-Clip .............................................120
ÀÌÁß ÀÎÈ / Superimpose .......................................121
ÇÊ, ¸®ºô ÇÁ·¹ÀÓ / Fill, Reveal Frame .......................122
¿÷, ¸®ºô ÇÁ·¹ÀÓ / Walk, Reveal Frame .....................123
ÄݶóÁÖ / Collage ...................................................124
Ä«¸Þ¶ó ½º³À / Camera Snap ...................................125
Æ÷Åä Åõ ¾À / Photo To Scene ...................................126
ÀÓÆÑÆ® Ç÷¡½Ã / Impact Flash .................................127
Ç÷¡½Ãµå ÄÆ / Flashed Cut ......................................127
Ç÷¡½Ãµå Á¡ÇÁ ÄÆ / Flashed Jump Cut ......................127
¿¬½À°úÁ¦ ..............................................................128
±× ¹ÛÀÇ ±â¹ýµé .......................................................129
¿µÈÀû Çö½Ç / Cinematic Reality .............................130
´À¸° µ¿ÀÛ / Slow Motion ........................................131
ºü¸¥ µ¿ÀÛ / Fast Motion ........................................131
µ¿ÀÛ È¥ÇÕ / Motion Mixer ......................................131
À̹ÌÁö Á¶È / Image Harmony ...............................132
À̹ÌÁö ºÎÁ¶È / Image Dissonance ..........................133
¾ÆÀÌÄÜ / Icon .......................................................134
¹Ì¸³ÀÚ / Particle ..................................................135
¹ÙÀÌ¿À¸Å½º Biomass ..............................................136
ºÐÇÒ ÃÊÁ¡ / Split Focus ..........................................137
Á¶¸í / Lighting ....................................................138
Ä÷¯ / Color .........................................................139
Å©·Î¸¶ Å° / Chroma Keying ...................................140
»ö º¯È¯ / Color Seep .............................................141
´«À» ÅëÇÑ Àüȯ / Journey Through Eye ....................142
ÈĹæ Åõ»ç / Rear Projection ...................................143
±Û·Î¹ú ÁÜ / Global Zoom .......................................144
½Ã°£ ºÐÇÒ / Time Slice ...........................................145
½ºÆ®·Îºê / Strobe .................................................146
ÁÖÁ¦ ÇÊÅÍ / Thematic Filter ...................................147
³×°ÅƼºê / Negative ..............................................147
Çü»ó / Imagery .....................................................148
¿îµ¿ ¿¡³ÊÁö / Kinetic Energy .................................149
·»Áî / Lens ..........................................................150
È¥ÇÕ ¹Ìµð¾î / Mixed Media ....................................151
È¥¿ë ½ºÅ¹ / Mixing Stocks .....................................152
»ç¿îµå µðÀÚÀÎ / Sound Design ................................153
º¸À̽º ¿À¹ö / Voiceover .........................................153
CGI ¿µÈ / CGI Cinema .........................................154
¿¢½º ÆÄÀÏ / X-Files ..............................................155
¿¬½À°úÁ¦ ..............................................................156
¿µÈ ¸ñ·Ï .............................................................158
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Á¦·¹¹Ì ¹ÙÀξߵå(Jeremy Vineyard) [Àú]
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ÀÛ°¡ÀÌ¸ç ±ØÀÛ°¡·Î ¾ÆÀ̵ð¾î °®°í ½ÇÇàÇØ¿Â °³ÇõÀÚÀÌ´Ù. ÀÚ½ÅÀÇ ³íÇÈ¼Ç ÀÛ¹ýÀÇ °ÀÇ¿Í ¿µÈ, ¾Ö´Ï¸ÞÀ̼Ç, ±×·¡ÇÈ ¼Ò¼³, ±×¸®°í ´Ù¸¥ âÀÛµéÀ» ÅëÇØ °ü°´°ú ¸¸³ª±â¸¦ Èñ¸ÁÇÑ´Ù.
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¹ÚÁ¾È£ [Àú]
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¼º±Õ°ü´ëÇб³ »çÇаú¸¦ Á¹¾÷ÇÏ°í Çѱ¹¿µÈ¾ÆÄ«µ¥¹Ì(8±â)¿¡¼ ÃÔ¿µÀ» °øºÎÇÏ°í Àá½Ã µ¿±¹´ëÇб³ ¿µÈ°ú ´ëÇпø¿¡¼ ¼öÇÐÇÏ¿´´Ù. AFI(American Film Institute)¿¡¼ ÃÔ¿µ°úÁ¤À» ¼ö·áÇßÀ¸¸ç Cal Arts(California Institute of the Arts)¿¡¼ MFA ÇÐÀ§¸¦ ÃëµæÇß´Ù. ºÎ»ê¿¹¼ú´ëÇÐ ¿µÈ°ú¿Í µ¿¼´ëÇб³ µðÁöÅпµ»ó¸Å½ºÄÄÇкο¡¼ ±³¼ö·Î ÀçÁ÷Çß°í, ÇöÀç´Â µ¿±¹´ëÇб³ ¿µ»ó¹Ìµð¾î´ëÇÐ ¿µÈ¿µ»óÇаú ±³¼ö·Î ÀÖ´Ù. ÃÖ±Ù DEAC(Digital Entertainment & Art Center)¸¦ ¸¸µé¾î µðÁöÅÐ ¿µÈ¿Í µðÁöÅÐ 3D ÀÔü ¿µ»óÀ» ¿¬±¸ÇÏ°í ÀÖ´Ù.
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È£¼¼ Å©·çÁî(Jose Cruz) [Àú]
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ÇÁ·Î »ðÈ°¡ÀÌÀÚ ½ºÅ丮º¸µå ÀÛ°¡·Î ¿©·¯ ÆíÀÇ ÀåÆí±Ø¿µÈ¸¦ À§ÇØ ÀÏÇß°í, ´ÜÆí ¿µÈ¿Í ´ÜÆí ¾Ö´Ï¸ÞÀ̼Ç, ±¹Á¦ÀûÀÎ ±¤°íÀÛ¾÷¿¡µµ Âü¿©Çß´Ù.
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