>
>
K-Pop (Paperback) 
±èâ³² ¤Ó ÇѸ²ÃâÆÇ»ç
  • Á¤°¡
10,000¿ø
  • ÆǸŰ¡
9,000¿ø (10% ¡é, 1,000¿ø ¡é)
  • ¹ßÇàÀÏ
2012³â 08¿ù 03ÀÏ
  • ÆäÀÌÁö¼ö/Å©±â
160page/150*225*0
  • ISBN
9781565913318/1565913310
  • ¹è¼Ûºñ

ÀÌ »óÇ°À» Æ÷ÇÔÇÏ¿© 1¸¸¿ø ÀÌ»ó ±¸¸ÅÇÏ½Ã¸é ¹«·á¹è¼Û

  • ¹è¼Û¿¹Á¤ÀÏ
04/29(¿ù) ¹è¼Û¿Ï·á¿¹Á¤
  • Çö º¸À¯Àç°í
100 ±Ç ÀÌ»ó
  • ÁÖ¹®¼ö·®
±Ç
  • ¹Ù·Î±¸¸Å ºÏÄ«Æ®´ã±â
  • Á¦ÈÞ¸ô ÁÖ¹® ½Ã °í°´º¸»ó, ÀϺΠÀ̺¥Æ® Âü¿© ¹× ÁõÁ¤Ç° ÁõÁ¤, ÇÏ·ç/´çÀÏ ¹è¼Û¿¡¼­ Á¦¿ÜµÇ¹Ç·Î Âü°í ¹Ù¶ø´Ï´Ù.
  • »ó¼¼Á¤º¸
  • K-POP ÇÑ·ù ¿­Ç³ÀÇ Á߽ɿ¡ ¼­±â±îÁö ÁַΠû¼Ò³âÀ» ´ë»óÀ¸·Î ÇÑ ¾ÆÀ̵¹ ±×·ìÀÇ ÆË°ú ´í½ºÀ½¾ÇÀ» ÁöĪÇÏ´Â K-popÀÇ ÀαⰡ ¾Æ½Ã¾Æ¸¦ ³Ñ¾î À¯·´°ú ³²¹Ì¿¡ À̸£±â±îÁö ³ô¾ÆÁö°í ÀÖ´Ù. Çѱ¹¿¡¼­ ÀÌ·± Á¾·ùÀÇ À½¾ÇÀÌ º»°ÝÀûÀ¸·Î µîÀåÇÑ °ÍÀº 90³â´ë µé¾î¼­ºÎÅÍÀε¥, ÀÌ·¯ÇÑ À½¾ÇÀÌ °©Àڱ⠻ý°Ü³­ °ÍÀº ¾Æ´Ï¸ç ±× »Ñ¸®´Â ¼ö½Ê ³â¿¡ °ÉÄ£ Çѱ¹ ´ëÁßÀ½¾ÇÀÇ ¿ª»ç¿¡ ´ê¾Æ ÀÖ´Ù. ÀÌ Ã¥Àº Çѱ¹ À½¾Ç¿¡ °ü½É ÀÖ´Â ¿Ü±¹ÀÎÀ» À§ÇØ Çѱ¹¿¡¼­ ´ëÁßÀ½¾ÇÀÌ ½ÃÀÛµÇ°í ¹ßÀüÇØ ¿Â °úÁ¤À» ¼Ò°³ÇÏ°íÀÚ ¾²¿´´Ù. Çѱ¹ »çȸ°¡ º¯È­ÇØ ¿Â °úÁ¤¿¡¼­ ÇÔ²² º¯È­ÇÏ°í ¹ßÀüÇØ ¿Â Çѱ¹ ´ëÁßÀ½¾ÇÀÇ ¿ª»ç¸¦ ÀÌÇØÇÏ´Â °ÍÀº °ð Çѱ¹ »çȸÀÇ º¯È­ °úÁ¤À» ÀÌÇØÇÏ´Â °ÍÀ̱⵵ ÇÏ´Ù. ÀÌ Ã¥Àº Å©°Ô µÎ ºÎºÐÀ¸·Î ³ª´µ¾î ÀÖ´Ù. ù ¹ø° ºÎºÐ¿¡¼­´Â ÀÏÁ¦°­Á¡±â¿¡¼­ 90³â´ë ÃʱîÁö Çѱ¹ ´ëÁßÀ½¾ÇÀÇ º¯È­ ¾ç»óÀ» »ìÇÉ´Ù. K-popÀÇ Àü»ç(îñÞÈ)¿¡ ÇØ´çÇÏ´Â ÀÌ ºÎºÐÀ» ÅëÇØ K-popÀÌ Ã³ÇÑ ¿ª»çÀû ¸Æ¶ôÀ» ÀÌÇØÇÒ ¼ö ÀÖÀ» °ÍÀÌ´Ù. µÎ ¹ø° ºÎºÐÀº 90³â´ë¸¦ °ÅÄ¡¸ç K-popÀÌ Çü¼ºµÇ¾î Àü¼¼°èÀûÀÎ ¹®È­·Î ¹ßÀüÇÑ ÇöÀç±îÁöÀÇ »óȲÀ» ¼­¼úÇÑ´Ù. K-popÀÇ ´ëÇ¥ÀûÀÎ ¾ÆÀ̵¹ ±×·ìµé, K-popÀ» ³ºÀº »çȸÀû »óȲ, ±×¸®°í K-popÀÇ »ý»ê ½Ã½ºÅÛ µî°ú °°Àº ÁÖÁ¦µéÀÌ ÀÌ ºÎºÐ¿¡¼­ ´Ù·ç¾îÁø´Ù. K-popÀÇ ¼¼°èÀûÀÎ ¿­Ç³ Çö»óÀ» Á¦´ë·Î ÀÌÇØÇϱâ À§Çؼ­´Â K-popÀ» µÑ·¯½Ñ ¿ª»çÀû ¸Æ¶ô°ú ±¸Á¶Àû »óȲÀ» ¾Æ¿ì¸£´Â Á» ´õ ÀÔüÀûÀÎ ½Ã°¢ÀÌ ÇÊ¿äÇÏ´Ù. ±×·¯ÇÑ Àǹ̿¡¼­ ÀÌ Ã¥Àº K-pop°ú Çѱ¹ ´ëÁß¹®È­, ³ª¾Æ°¡ Çѱ¹ »çȸ¸¦ ¾Ë°í ½Í¾î ÇÏ´Â À̵鿡°Ô ÁÁÀº ¾È³»¼­°¡ µÉ °ÍÀÌ´Ù. K-POP How it became the global craze K-pop, referred to pop and dance music performed by idol groups mainly targeted at teens, has been expanding in popularity beyond Asia to Europe and South America. It was the 1990s when this school of music first appeared in Korea, but its emergence was not abrupt and its roots are sunk deep into decades of Korean popular music history. This book is designed to introduce to international audiences interested in Korean music how the modern form of Korean pop music began and evolved. Understanding the history of Korean pop music, which has shifted and progressed in the currents of social transformation, means figuring out just how Korean society has been transfigured. This book is mainly divided into two sections. The first deals with the developments in Korean pop music from Japanese rule up to the early 1990s. Exploring this period, which falls into a prehistory of K-pop, will serve as an opportunity for understanding the historical context surrounding K-pop. The second section illustrates the processes of the formation to K-pop throughout the 1990s and the stages in its development into its current form as a globalized cultural element. The main focuses of the second portion include K-pop's representative idol groups, the social circumstances that yielded K-pop, and its production system. Gaining a thorough grasp of the K-pop fever around the world requires a more multi-dimensional perspective that encompasses its historical context and structural conditions. In this sense, this book will prove useful to those who desire to learn about K-pop and Korean popular culture, and further about Korean society.
  • Preface 01 K-POP, or Korean Popular Music K-POPÀ̶õ ´Ü¼øÈ÷ Çѱ¹ÀÇ ´ëÁßÀ½¾ÇÀ» ¶æÇϱ⺸´Ù Çѱ¹ÀÇ À½¾Ç»ê¾÷À» ÅëÇØ »ý»êµÇ°í ÇØ¿Ü Áö¿ª¿¡¼­ ¼ÒºñµÇ´Â ´ëÁßÀ½¾Ç ¹× ±×¿Í ¿¬°üµÈ ¹®È­Çö»óÀ» Æ÷°ýÀûÀ¸·Î ÁöĪÇÑ´Ù. 02 Korean Popular Music Preceding K-POP: Late 1920s to Early 1990s Çѱ¹¿¡¼­ ±Ù´ëÀû ´ëÁßÀ½¾Ç Çö»óÀÌ µîÀåÇÑ ÀÏÁ¦°­Á¡±âÀÇ 1920³â´ëºÎÅÍ ¾ÆÀ̵¹ ±×·ìÀÇ ´í½ºÀ½¾ÇÀÌ ½ÃÀåÀÇ ÁÖ·ù¸¦ Â÷ÁöÇϱ⠽ÃÀÛÇÏ´Â 90³â´ë Áß¹Ý Á¤µµ±îÁöÀÇ Çѱ¹ ´ëÁßÀ½¾ÇÀÇ ¿ª»ç¸¦ »ìÆ캻´Ù. Áï, ÀÏÁ¦°­Á¡±âºÎÅÍ 50³â´ë±îÁöÀÇ Æ®·ÎÆ®, 60³â´ëÀÇ Çѱ¹½Ä ½ºÅÄ´Ùµå ÆË, 70³â´ëÀÇ Æ÷Å©¿Í ·Ï, 80³â´ëÀÇ ¼ºÀΰ¡¿ä¿Í û¼Ò³â °¡¿ä¸¦ °ÅÃÄ 90³â´ë ÀÌÈÄ Ã»¼Ò³â ÃëÇâÀÇ ÆË°ú ´í½º°¡ ÁÖµµÀûÀÎ À帣°¡ µÇ±â±îÁöÀÇ º¯È­ °úÁ¤À» »çȸ°æÁ¦ÀûÀÎ º¯È­¿Í ÇÔ²² ¼³¸íÇÑ´Ù. o The Formative Period of Korean Popular Music: From the Japanese Occupation through the 1950s o Popular Music in the 1960s o Popular Music in the 1970s o Popular Music in the 1980s o Popular Music in the 1990s 03 Korean Popular Music in the Era of K-POP: After the Late 1990s K-popÀÌ ...
  • ±èâ³² [Àú]
  • °­¿øµµ Ãáõ¿¡¼­ ³ª°í ÀÚ¶ú´Ù. ¾î¸° ½ÃÀý, Ã¥°ú ¿µÈ­, TV, À½¾Ç µî Àç¹Õ´Â °ÍÀ̶ó¸é ´çÀåÀÇ ºÎ²ô·¯¿òµµ, ÀÚÁ¸½Éµµ, °ð ´ÚÄ¥ ¾î¸¥µéÀÇ ²ÙÁßµµ °³ÀÇÄ¡ ¾Ê°í ´Þ·Áµé°ï Çß´Ù. ÀÐÀ»°Å¸®, µéÀ» °Å¸®, º¼°Å¸®¸¦ °Ô°É½º·´°Ô ã¾Æ´Ù´Ï´ø ²¿¸¶°¡ ¾î´Àµ¡ ´ëÁß¹®È­ Àü°øÀÚ°¡ µÇ¾î ±×°ÍµéÀ» »îÀÇ ¹æÆíÀ¸·Î »ï°í ÀÖ´Ù. ¼Ò³â ½ÃÀýºÎÅÍ ±âŸ Ä¡¸ç ³ë´Â °É ÁÁ¾ÆÇߴµ¥, ¿äÁòµµ µ¿·á ±³¼öµé°ú ÇÔ²² ¾Æ¸¶Ãß¾î Æ÷Å©±×·ì ¡®´õ½£Æ®¸®¿À¡¯¸¦ °á¼ºÇØ °¡²û ¹«´ë¿¡ ¿À¸£±âµµ ÇÑ´Ù.
    [´ëÁß¹®È­ÀÇ ÀÌÇØ], [´ëÁß¹®È­¿Í ¹®È­½Çõ], [»îÀÇ ¹®È­ Èñ¸ÁÀÇ ³ë·¡], [K-POP: Roots and Blossoming of Korean Popular Music] °°Àº Ã¥µéÀ» ½è°í, [´ëÁßÀ½¾ÇÀÇ ÀÌÇØ], [´ëÁß¹®È­¿Í ³ë·¡¿îµ¿ ±×¸®°í û³â¹®È­], [±è¹Î±â], [ÅëÇÏ¸é ¾ÆÇÁÁö ¾Ê´Ù], [°¡´Â ±æÀÌ ³» ±æÀÌ´Ù] µî ¿©·¯ Ã¥µéÀ» ¿«¾ú´Ù. ¼º°øȸ´ëÇб³ ½Å¹® ¹æ¼ÛÇаú ¡¤ ¹®È­´ëÇпø ±³¼ö·Î ÀÏÇϸ鼭 Çѱ¹´ëÁßÀ½¾Ç»ó ¼±Á¤ À§¿øÀå, Çѱ¹´ëÁßÀ½¾ÇÇÐȸ ȸÀå, (»ç)¿ì¸®¸¸È­¿¬´ë °í¹® µî ÀÌ·±Àú·± ÀϵéÀ» ÇÔ²² ÇÏ°í ÀÖ´Ù.
  • Àüü 0°³ÀÇ ±¸¸ÅÈıⰡ ÀÖ½À´Ï´Ù.

ÀÎÅÍÆÄÅ©µµ¼­´Â °í°´´ÔÀÇ ´Ü¼ø º¯½É¿¡ ÀÇÇÑ ±³È¯°ú ¹ÝÇ°¿¡ µå´Â ºñ¿ëÀº °í°´´ÔÀÌ ÁöºÒÄÉ µË´Ï´Ù.
´Ü, »óÇ°À̳ª ¼­ºñ½º ÀÚüÀÇ ÇÏÀÚ·Î ÀÎÇÑ ±³È¯ ¹× ¹ÝÇ°Àº ¹«·á·Î ¹ÝÇ° µË´Ï´Ù.
±³È¯ ¹× ¹ÝÇ°ÀÌ °¡´ÉÇÑ °æ¿ì
»óÇ°À» °ø±Þ ¹ÞÀº ³¯·ÎºÎÅÍ 7ÀÏÀ̳» °¡´É
°ø±Þ¹ÞÀ¸½Å »óÇ°ÀÇ ³»¿ëÀÌ Ç¥½Ã, ±¤°í ³»¿ë°ú ´Ù¸£°Å³ª ´Ù¸£°Ô ÀÌÇàµÈ °æ¿ì¿¡´Â °ø±Þ¹ÞÀº ³¯·ÎºÎÅÍ 3°³¿ù À̳»,
   ȤÀº ±×»ç½ÇÀ» ¾Ë°Ô µÈ ³¯ ¶Ç´Â ¾Ë ¼ö ÀÖ¾ú´ø ³¯·ÎºÎÅÍ 30ÀÏ À̳»
»óÇ°¿¡ ¾Æ¹«·± ÇÏÀÚ°¡ ¾ø´Â °æ¿ì ¼ÒºñÀÚÀÇ °í°´º¯½É¿¡ ÀÇÇÑ ±³È¯Àº »óÇ°ÀÇ Æ÷Àå»óÅ µîÀÌ ÀüÇô ¼Õ»óµÇÁö ¾ÊÀº °æ¿ì¿¡ ÇÑÇÏ¿© °¡´É
±³È¯ ¹× ¹ÝÇ°ÀÌ ºÒ°¡´ÉÇÑ °æ¿ì
±¸¸ÅÈ®Á¤ ÀÌÈÄ(¿ÀǸ¶ÄÏ»óÇ°¿¡ ÇÑÇÔ)
°í°´´ÔÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¸ê½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì
   (´Ü, »óÇ°ÀÇ ³»¿ëÀ» È®ÀÎÇϱâ À§ÇÏ¿© Æ÷Àå µîÀ» ÈѼÕÇÑ °æ¿ì´Â Á¦¿Ü)
½Ã°£ÀÌ Áö³²¿¡ µû¶ó ÀçÆǸŰ¡ °ï¶õÇÒ Á¤µµ·Î ¹°Ç°ÀÇ °¡Ä¡°¡ ¶³¾îÁø °æ¿ì
Æ÷Àå °³ºÀµÇ¾î »óÇ° °¡Ä¡°¡ ÈÑ¼ÕµÈ °æ¿ì
´Ù¹è¼ÛÁöÀÇ °æ¿ì ¹ÝÇ° ȯºÒ
´Ù¹è¼ÛÁöÀÇ °æ¿ì ´Ù¸¥ Áö¿ªÀÇ ¹ÝÇ°À» µ¿½Ã¿¡ ÁøÇàÇÒ ¼ö ¾ø½À´Ï´Ù.
1°³ Áö¿ªÀÇ ¹ÝÇ°ÀÌ ¿Ï·áµÈ ÈÄ ´Ù¸¥ Áö¿ª ¹ÝÇ°À» ÁøÇàÇÒ ¼ö ÀÖÀ¸¹Ç·Î, ÀÌÁ¡ ¾çÇØÇØ Áֽñ⠹ٶø´Ï´Ù.
Áß°í»óÇ°ÀÇ ±³È¯
Áß°í»óÇ°Àº Á¦ÇÑµÈ Àç°í ³»¿¡¼­ ÆǸŰ¡ ÀÌ·ç¾îÁö¹Ç·Î, ±³È¯Àº ºÒ°¡´ÉÇÕ´Ï´Ù.
¿ÀǸ¶ÄÏ »óÇ°ÀÇ È¯ºÒ
¿ÀǸ¶ÄÏ»óÇ°¿¡ ´ëÇÑ Ã¥ÀÓÀº ¿øÄ¢ÀûÀ¸·Î ¾÷ü¿¡°Ô ÀÖÀ¸¹Ç·Î, ±³È¯/¹ÝÇ° Á¢¼ö½Ã ¹Ýµå½Ã ÆǸÅÀÚ¿Í ÇùÀÇ ÈÄ ¹ÝÇ° Á¢¼ö¸¦ ÇϼžßÇϸç,
   ¹ÝÇ°Á¢¼ö ¾øÀÌ ¹Ý¼ÛÇϰųª, ¿ìÆíÀ¸·Î º¸³¾ °æ¿ì »óÇ° È®ÀÎÀÌ ¾î·Á¿ö ȯºÒÀÌ ºÒ°¡´ÉÇÒ ¼ö ÀÖÀ¸´Ï À¯ÀÇÇϽñ⠹ٶø´Ï´Ù.
¹è¼Û¿¹Á¤ÀÏ ¾È³»
ÀÎÅÍÆÄÅ© µµ¼­´Â ¸ðµç »óÇ°¿¡ ´ëÇØ ¹è¼Û¿Ï·á¿¹Á¤ÀÏÀ» À¥»çÀÌÆ®¿¡ Ç¥½ÃÇÏ°í ÀÖ½À´Ï´Ù.
<ÀÎÅÍÆÄÅ© Á÷¹è¼Û »óÇ°>
»óÇ°Àº ¿ù~Åä¿äÀÏ ¿ÀÀü 10½Ã ÀÌÀü ÁÖ¹®ºÐ¿¡ ´ëÇÏ¿© ´çÀÏ Ãâ°í/´çÀÏ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇÏ´Â »óÇ°ÀÔ´Ï´Ù.
»óÇ°Àº ¼­¿ïÁö¿ª/ÆòÀÏ ÁÖ¹®ºÐÀº ´çÀÏ Ãâ°í/ÀÍÀÏ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇϸç,
¼­¿ï¿ÜÁö¿ª/ÆòÀÏ ÁÖ¹®ºÐÀÇ °æ¿ì´Â ¿ÀÈÄ 6½Ã±îÁö ÁÖ¹®ºÐ¿¡ ´ëÇÏ¿© ÀÍÀÏ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇÏ´Â »óÇ°ÀÔ´Ï´Ù.
(´Ü, ¿ù¿äÀÏÀº 12½Ã±îÁö ÁÖ¹®¿¡ ÇÑÇÔ)
»óÇ°Àº, ÀÔ°í¿¹Á¤ÀÏ(Á¦Ç°Ãâ½ÃÀÏ)+Åùè»ç¹è¼ÛÀÏ(1ÀÏ)¿¡ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇÕ´Ï´Ù.
~ »óÇ°Àº À¯ÅëƯ¼º»ó ÀÎÅÍÆÄÅ©¿¡¼­ Àç°í¸¦ º¸À¯ÇÏÁö ¾ÊÀº »óÇ°À¸·Î
ÁÖ¹®ÀÏ+±âÁØÃâ°íÀÏ+Åùè»ç¹è¼ÛÀÏ(1ÀÏ)¿¡ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇÕ´Ï´Ù.(Åä/°øÈÞÀÏÀº ¹è¼Û±â°£¿¡ Æ÷ÇÔµÇÁö ¾Ê½À´Ï´Ù.)
¡Ø±âÁØÃâ°íÀÏ:ÀÎÅÍÆÄÅ©°¡ »óÇ°À» ¼ö±ÞÇÏ¿© ¹°·ùâ°í¿¡¼­ Æ÷Àå/Ãâ°íÇϱâ±îÁö ¼Ò¿äµÇ´Â ½Ã°£
<¾÷ü Á÷Á¢¹è¼Û/¿ÀǸ¶ÄÏ »óÇ°>
~ »óÇ°Àº ¾÷ü°¡ ÁÖ¹®À» È®ÀÎÇÏ°í, Ãâ°íÇϱâ±îÁö °É¸®´Â ½Ã°£ÀÔ´Ï´Ù.
ÁÖ¹®ÀÏ+±âÁØÃâ°íÀÏ+Åùè»ç¹è¼ÛÀÏ(2ÀÏ)¿¡ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇÕ´Ï´Ù.(Åä/°øÈÞÀÏÀº ¹è¼Û±â°£¿¡ Æ÷ÇÔµÇÁö ¾Ê½À´Ï´Ù.)
¡Ø5ÀÏÀ̳» Ãâ°í°¡ ½ÃÀÛµÇÁö ¾ÊÀ»½Ã, ¿ÀǸ¶ÄÏ »óÇ°Àº ÀÚµ¿À¸·Î ÁÖ¹®ÀÌ Ãë¼ÒµÇ¸ç, °í°´´Ô²² Ç°Àýº¸»ó±ÝÀ» Áö±ÞÇØ µå¸³´Ï´Ù.
¹è¼Ûºñ ¾È³»
µµ¼­(Áß°íµµ¼­ Æ÷ÇÔ)¸¸ ±¸¸ÅÇϽøé : ¹è¼Ûºñ 2,000¿ø (1¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)
À½¹Ý/DVD¸¸ ±¸¸ÅÇϽøé : ¹è¼Ûºñ 1,500¿ø (2¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)
ÀâÁö/¸¸È­/±âÇÁÆ®¸¸ ±¸¸ÅÇϽøé : ¹è¼Ûºñ 2,000¿ø (2¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)
µµ¼­¿Í À½¹Ý/DVD¸¦ ÇÔ²² ±¸¸ÅÇϽøé : ¹è¼Ûºñ 1,500¿ø 1¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)
µµ¼­¿Í ÀâÁö/¸¸È­/±âÇÁÆ®/Áß°íÁ÷¹è¼Û»óÇ°À» ÇÔ²² ±¸¸ÅÇϽøé : 2,000¿ø (1¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)
¾÷üÁ÷Á¢¹è¼Û»óÇ°À» ±¸¸Å½Ã : ¾÷üº°·Î »óÀÌÇÑ ¹è¼Ûºñ Àû¿ë

   * ¼¼Æ®»óÇ°ÀÇ °æ¿ì ºÎºÐÃë¼Ò ½Ã Ãß°¡ ¹è¼Ûºñ°¡ ºÎ°úµÉ ¼ö ÀÖ½À´Ï´Ù.
   * ºÏÄ«Æ®¿¡¼­ ¹è¼Ûºñ¾ø¾Ö±â ¹öÆ°À» Ŭ¸¯Çϼż­, µ¿ÀϾ÷ü»óÇ°À» Á¶±Ý ´õ ±¸¸ÅÇϽøé, ¹è¼Ûºñ¸¦ Àý¾àÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.
Çؿܹè¼Û ¾È³»
ÀÎÅÍÆÄÅ©µµ¼­¿¡¼­´Â ±¹³»¿¡¼­ ÁÖ¹®ÇϽðųª ÇØ¿Ü¿¡¼­ ÁÖ¹®ÇÏ¿© ÇØ¿Ü·Î ¹è¼ÛÀ» ¿øÇÏ½Ç °æ¿ì DHL°ú Ư¾àÀ¸·Î Ã¥Á¤µÈ ¿ä±ÝÇ¥¿¡
   ÀÇÇØ °³ÀÎÀÌ ÀÌ¿ëÇÏ´Â °æ¿ìº¸´Ù ¹è¼Û¿ä±ÝÀ» Å©°Ô ³·Ã߸ç DHL(www.dhl.co.kr)·Î Çؿܹè¼Û ¼­ºñ½º¸¦ Á¦°øÇÕ´Ï´Ù.
Çؿܹè¼ÛÀº µµ¼­/CD/DVD »óÇ°¿¡ ÇÑÇØ ¼­ºñ½ºÇÏ°í ÀÖÀ¸¸ç, ´Ù¸¥ »óÇ°À» ºÏÄ«Æ®¿¡ ÇÔ²² ´ãÀ¸½Ç °æ¿ì Çؿܹè¼ÛÀÌ ºÒ°¡ÇÕ´Ï´Ù.
ÇØ¿ÜÁÖ¹®¹è¼Û ¼­ºñ½º´Â ÀÎÅÍÆÄÅ© µµ¼­ ȸ¿ø °¡ÀÔÀ» Çϼž߸¸ ½Åû °¡´ÉÇÕ´Ï´Ù.
¾Ë¾ÆµÎ¼¼¿ä!!!
µµ¸Å»ó ¹× Á¦ÀÛ»ç »çÁ¤¿¡ µû¶ó Ç°Àý/ÀýÆÇ µîÀÇ »çÀ¯·Î Ãë¼ÒµÉ ¼ö ÀÖ½À´Ï´Ù.
¿ÀǸ¶ÄϾ÷üÀÇ ¹è¼ÛÁö¿¬½Ã ÁÖ¹®ÀÌ ÀÚµ¿À¸·Î Ãë¼ÒµÉ ¼ö ÀÖ½À´Ï´Ù.
Ãâ°í°¡´É ½Ã°£ÀÌ ¼­·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.
À¯ÅëÀÇ Æ¯¼º»ó Ãâ°í±â°£Àº ¿¹Á¤º¸´Ù ¾Õ´ç°ÜÁö°Å³ª ´ÊÃçÁú ¼ö ÀÖ½À´Ï´Ù.
Åùè»ç ¹è¼ÛÀÏÀÎ ¼­¿ï ¹× ¼öµµ±ÇÀº 1~2ÀÏ, Áö¹æÀº 2~3ÀÏ, µµ¼­, »ê°£, ±ººÎ´ë´Â 3ÀÏ ÀÌ»óÀÇ ½Ã°£ÀÌ ¼Ò¿äµË´Ï´Ù.
  • 0°³
  • 0°³