>
>
>
Free Food for Millionaires (¹Ì±¹ÆÇ) 
À̹ÎÁø ¤Ó Grand Central Publishing
  • Á¤°¡
24,000¿ø
  • ÆǸŰ¡
22,080¿ø (8% ¡é, 1,920¿ø ¡é)
  • ¹ßÇàÀÏ
2022³â 01¿ù 04ÀÏ
  • ÆäÀÌÁö¼ö/Å©±â/¹«°Ô
736page/135*201*36/544g
  • ISBN
9781538722022/153872202X
  • ÁÖ¹®¼ö·®
±Ç
  • Á¦ÈÞ¸ô ÁÖ¹® ½Ã °í°´º¸»ó, ÀϺΠÀ̺¥Æ® Âü¿© ¹× ÁõÁ¤Ç° ÁõÁ¤, ÇÏ·ç/´çÀÏ ¹è¼Û¿¡¼­ Á¦¿ÜµÇ¹Ç·Î Âü°í ¹Ù¶ø´Ï´Ù.
  • »ó¼¼Á¤º¸
  • ¡°Lee¡¯s keen eye for class concerns and her confident, muscular writing about the conflicting pulls toward one¡¯s cultural heritage and the unknowable, wide- open future make this book a pleasure.¡±¡ªMeg Wolitzer, New York Times bestselling author of The Interestings ¡°Engrossing and illuminating . . . a panoramic portrait of contemporary Korean Americans and their ¡®white boy¡¯ colleagues, lovers, and friends.¡±¡ªAlix Kates Shulman, author of Memoirs of an Ex-Prom Queen and Drinking the Rain ¡°Unfolds in New York in the 1990s with an energetic eventfulness and a sprawling cast that call to mind the literary classics of Victorian England . . . It would be remarkable if she had simply written a long novel that was as easy to devour as a nineteenth-century romance¡ªpacked with tales of flouted parental expectations, fluctuating female friendships and rivalries, ephemeral (and longer-lasting) romantic hopes and losses, and high-stakes career gambles. But Lee intensifies her drama by setting it against an unfamiliar backdrop: the tightly knit social world of Korean immigrants, whose children strive to blend into their American foreground without clashing with their distinctive background. It¡¯s a feat of coordination and contrast that could kill a chameleon, but Lee pulls it off with conviction.¡±¡ªNew York Times Book Review ¡°Complex and intriguing . . . an exquisite look at life¡¯s uncertainties. The beauty of Lee¡¯s novel is that it does not focus solely on Casey¡¯s sojourn from naive pride to self-realization, as compelling as that is.¡±¡ªAssociated Press ¡°An expansive story . . . draws the reader with likeably human, multidimensional characters and a subtly shifting, unpredictable plot.¡±¡ªWashington Post "Mesmerizing...Not since Jhumpa Lahiri's The Namesake has an author so exquisitely evoked what it's like to be an immigrant."¡ªUSA Today ¡°A terrific debut novel . . . reminiscent of another ambitious New York novel about class collision, Tom Wolfe¡¯s Bonfire of the Vanities . . . the pleasure of reading this sprawling novel derives from the old-fashioned thrill of watching the wheel of fortune slowly turn for various characters . . . In the Victorian-inflected saga of Casey Han and her friends, Lee has given readers more than just Elizabeth Bennet tricked out in a Korean hanbok, she¡¯s tweaked venerable nineteenth-century fictional forms to suit the story of yet another new immigrant group claiming New York City as its own.¡±¡ªMaureen Corrigan, Fresh Air, NPR "Lee has updated the Victorian novel of progress to a postmodern, postfeminist world and imagined a character whose circumstances feel universal."¡ªChicago Tribune "A first-rate read¡ªa book you finish feeling certain the lives inside will go on long after the final page.¡±¡ªPeople ¡°A big, juicy, coming£¿of£¿age novel . . . definitely belongs in this summer¡¯s beach bag.¡±¡ªEntertainment Weekly "This big, beguiling book has all the distinguishing marks of a Great American novel."¡ªThe Times, London "In Lee's deft h...
  • À̹ÎÁø [Àú]
  • Çѱ¹°è 1.5¼¼·Î¼­ Á¦2ÀÇ Á¦ÀÎ ¿À½ºÆ¾À¸·Î È£ÆòÀ» ¹Þ°í ÀÖ´Â À̹ÎÁøÀº 1968³â Çѱ¹ÀÇ ¼­¿ï¿¡¼­ ž À¯³â ½ÃÀý °¡Á· À̹ÎÀ¸·Î ´º¿å ÄýÁî¿¡ Á¤ÂøÇß´Ù. ±×³àÀÇ ¾Æ¹öÁö´Â ÇÔ°æ³²µµ ¿ø»ê, ¾î¸Ó´Ï´Â ºÎ»ê Ãâ½ÅÀÌ´Ù. ±×³à´Â ÀÏ°ö »ì¿¡ ¹Ì±¹À¸·Î À̹Π°¡ ¹Ì±¹ÀÎÀ¸·Î »ì°í ÀÖÁö¸¸ ¹Ì±¹½Ä À̸§ ´ë½Å Çѱ¹ À̸§À» °í¼öÇÏ°í ÀÖ´Ù. À̹ÎÁøÀÇ ¾Æ¹öÁö´Â Çѱ¹¿¡¼­ È­Àåǰȸ»ç ¿µ¾÷»ç¿ø Ãâ½ÅÀ̾ú´Âµ¥ ¸¹Àº À̹ÎÀÚµéó·³ ÀüÀïÀÇ °øÆ÷ Å¿¿¡ 1970³â´ë Áß¹Ý À̹ÎÀ» °áÇàÇß´Ù. ¡®Áã°¡ ³ª¿À´Â ¹æ ÇÑ Ä­Â¥¸® ¾ÆÆÄÆ®¿¡¼­ ´Ù¼¸ ½Ä±¸°¡ »ì¾Ò´ø¡¯ °¡³­ÇÑ ±â¾ïÀ» °¡Áø À̹ÎÁøÀº ÀÏ¿äÀϵµ ¾øÀÌ ÀÏÇÏ´Â ºÎ¸ðÀÇ µÞ¹Ù¶óÁö¸¦ ¹ÞÀ¸¸ç ¼ºÀåÇß´Ù. ÀÌ·± ºÎ¸ð´ÔÀÇ Èñ»ý°ú »ç¶ûÀ¸·Î ¿¹ÀÏ´ë ¿ª»çÇаú¿Í Á¶ÁöŸ¿î´ë ·Î½ºÄðÀ» Á¹¾÷ÇÑ À̹ÎÁøÀº ±â¾÷º¯È£»ç·Î ÀÏÇϸç ÇÑÀÎ À̹Π»çȸÀÇ ¼º°ø ¸ðµ¨ÀÌ µÇ±âµµ Çß´Ù. ÇÏÁö¸¸ 16¼¼ºÎÅÍ BÇü°£¿° º¸±ÕÀÚ¿´´ø ±×³à´Â °£ÀÌ ³ªºüÁ® Àß³ª°¡´ø º¯È£»ç ÀÏÀ» ±×¸¸µÎ°í °í±³ ½ÃÀýºÎÅÍ Àç´ÉÀ» º¸¿´´ø ±Û ¾²´Â ÀÏ·Î º¹±ÍÇß´Ù. 2004³â ´ÜÆí¼Ò¼³ ¡´ÇູÀÇ ÃàAxis of Happiness¡µ, ¡´Á¶±¹Motherland¡µ µîÀ» ¹ßÇ¥ÇØ ÀÛ°¡ÀÇ ÀÔÁö¸¦ ±»È÷±â ½ÃÀÛÇß´Ù. 2008³â ù ÀåÆí¼Ò¼³ ¡¶¹é¸¸ÀåÀÚ¸¦ À§ÇÑ °øÂ¥ À½½ÄFree Food for Millionaires¡·À» ¹ßÇ¥, Çѱ¹À» ºñ·ÔÇÏ¿© 11°³±¹¿¡ ¹ø¿ª ÃâÆǵǾúÀ¸¸ç Àü¹Ì ÆíÁýÀÚµéÀÌ »ÌÀº ¿ÃÇØÀÇ Ã¥, ¹Ì±¹ ÇÈ¼Ç ºÎ¹® ¡®ºñÄ¡»ó¡¯, ½ÅÀÎÀÛ°¡¸¦ À§ÇÑ ¡®³»·¯Æ¼ºê»ó¡¯ µîÀ» ¼ö»óÇß´Ù. ¹Ì±¹ÀÎÀ¸·Î »ì°í ÀÖ´Â À̹ÎÁøÀÇ ¼Ò¼³Àû »Ñ¸®´Â À̹ÎÀ» Åä¾çÀ¸·Î »¸¾î³ª°£´Ù. ÀϺ»°è ¹Ì±¹ÀÎ ³²ÆíÀ» ¸¸³­ °ÍÀÌ ÀÚÀÌ´ÏÄ¡¿¡ ´ëÇÑ È£±â½ÉÀ» Á÷Á¢ Ž»çÇÒ ±âȸ¸¦ Á¦°øÇß´Ù. ³²ÆíÀÌ 2007³â µµÄìÀÇ ±ÝÀ¶È¸»ç¿¡ ±Ù¹«ÇÏ°Ô µÈ ´öºÐ¿¡ ±×³à´Â ÀϺ»¿¡¼­ 4³â°£ »ì¸é¼­ ¼Ò¼³ ¡¶ÆÄÄ£ÄÚ¡·ÀÇ »À´ë¸¦ ¼¼¿ü´Ù. À̹ÎÁøÀº ÇöÀç ¹Ì±¹ ´º¿å¿¡¼­ °¡Á·°ú ÇÔ²² »ýÈ°Çϸç ÁýÇÊ È°µ¿¿¡ Àü³äÇÏ°í ÀÖ´Ù.
  • Àüü 0°³ÀÇ ±¸¸ÅÈıⰡ ÀÖ½À´Ï´Ù.

ÀÎÅÍÆÄÅ©µµ¼­´Â °í°´´ÔÀÇ ´Ü¼ø º¯½É¿¡ ÀÇÇÑ ±³È¯°ú ¹ÝÇ°¿¡ µå´Â ºñ¿ëÀº °í°´´ÔÀÌ ÁöºÒÄÉ µË´Ï´Ù.
´Ü, »óÇ°À̳ª ¼­ºñ½º ÀÚüÀÇ ÇÏÀÚ·Î ÀÎÇÑ ±³È¯ ¹× ¹ÝÇ°Àº ¹«·á·Î ¹ÝÇ° µË´Ï´Ù.
±³È¯ ¹× ¹ÝÇ°ÀÌ °¡´ÉÇÑ °æ¿ì
»óÇ°À» °ø±Þ ¹ÞÀº ³¯·ÎºÎÅÍ 7ÀÏÀ̳» °¡´É
°ø±Þ¹ÞÀ¸½Å »óÇ°ÀÇ ³»¿ëÀÌ Ç¥½Ã, ±¤°í ³»¿ë°ú ´Ù¸£°Å³ª ´Ù¸£°Ô ÀÌÇàµÈ °æ¿ì¿¡´Â °ø±Þ¹ÞÀº ³¯·ÎºÎÅÍ 3°³¿ù À̳»,
   ȤÀº ±×»ç½ÇÀ» ¾Ë°Ô µÈ ³¯ ¶Ç´Â ¾Ë ¼ö ÀÖ¾ú´ø ³¯·ÎºÎÅÍ 30ÀÏ À̳»
»óÇ°¿¡ ¾Æ¹«·± ÇÏÀÚ°¡ ¾ø´Â °æ¿ì ¼ÒºñÀÚÀÇ °í°´º¯½É¿¡ ÀÇÇÑ ±³È¯Àº »óÇ°ÀÇ Æ÷Àå»óÅ µîÀÌ ÀüÇô ¼Õ»óµÇÁö ¾ÊÀº °æ¿ì¿¡ ÇÑÇÏ¿© °¡´É
±³È¯ ¹× ¹ÝÇ°ÀÌ ºÒ°¡´ÉÇÑ °æ¿ì
±¸¸ÅÈ®Á¤ ÀÌÈÄ(¿ÀǸ¶ÄÏ»óÇ°¿¡ ÇÑÇÔ)
°í°´´ÔÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¸ê½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì
   (´Ü, »óÇ°ÀÇ ³»¿ëÀ» È®ÀÎÇϱâ À§ÇÏ¿© Æ÷Àå µîÀ» ÈѼÕÇÑ °æ¿ì´Â Á¦¿Ü)
½Ã°£ÀÌ Áö³²¿¡ µû¶ó ÀçÆǸŰ¡ °ï¶õÇÒ Á¤µµ·Î ¹°Ç°ÀÇ °¡Ä¡°¡ ¶³¾îÁø °æ¿ì
Æ÷Àå °³ºÀµÇ¾î »óÇ° °¡Ä¡°¡ ÈÑ¼ÕµÈ °æ¿ì
´Ù¹è¼ÛÁöÀÇ °æ¿ì ¹ÝÇ° ȯºÒ
´Ù¹è¼ÛÁöÀÇ °æ¿ì ´Ù¸¥ Áö¿ªÀÇ ¹ÝÇ°À» µ¿½Ã¿¡ ÁøÇàÇÒ ¼ö ¾ø½À´Ï´Ù.
1°³ Áö¿ªÀÇ ¹ÝÇ°ÀÌ ¿Ï·áµÈ ÈÄ ´Ù¸¥ Áö¿ª ¹ÝÇ°À» ÁøÇàÇÒ ¼ö ÀÖÀ¸¹Ç·Î, ÀÌÁ¡ ¾çÇØÇØ Áֽñ⠹ٶø´Ï´Ù.
Áß°í»óÇ°ÀÇ ±³È¯
Áß°í»óÇ°Àº Á¦ÇÑµÈ Àç°í ³»¿¡¼­ ÆǸŰ¡ ÀÌ·ç¾îÁö¹Ç·Î, ±³È¯Àº ºÒ°¡´ÉÇÕ´Ï´Ù.
¿ÀǸ¶ÄÏ »óÇ°ÀÇ È¯ºÒ
¿ÀǸ¶ÄÏ»óÇ°¿¡ ´ëÇÑ Ã¥ÀÓÀº ¿øÄ¢ÀûÀ¸·Î ¾÷ü¿¡°Ô ÀÖÀ¸¹Ç·Î, ±³È¯/¹ÝÇ° Á¢¼ö½Ã ¹Ýµå½Ã ÆǸÅÀÚ¿Í ÇùÀÇ ÈÄ ¹ÝÇ° Á¢¼ö¸¦ ÇϼžßÇϸç,
   ¹ÝÇ°Á¢¼ö ¾øÀÌ ¹Ý¼ÛÇϰųª, ¿ìÆíÀ¸·Î º¸³¾ °æ¿ì »óÇ° È®ÀÎÀÌ ¾î·Á¿ö ȯºÒÀÌ ºÒ°¡´ÉÇÒ ¼ö ÀÖÀ¸´Ï À¯ÀÇÇϽñ⠹ٶø´Ï´Ù.
¹è¼Û¿¹Á¤ÀÏ ¾È³»
ÀÎÅÍÆÄÅ© µµ¼­´Â ¸ðµç »óÇ°¿¡ ´ëÇØ ¹è¼Û¿Ï·á¿¹Á¤ÀÏÀ» À¥»çÀÌÆ®¿¡ Ç¥½ÃÇÏ°í ÀÖ½À´Ï´Ù.
<ÀÎÅÍÆÄÅ© Á÷¹è¼Û »óÇ°>
»óÇ°Àº ¿ù~Åä¿äÀÏ ¿ÀÀü 10½Ã ÀÌÀü ÁÖ¹®ºÐ¿¡ ´ëÇÏ¿© ´çÀÏ Ãâ°í/´çÀÏ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇÏ´Â »óÇ°ÀÔ´Ï´Ù.
»óÇ°Àº ¼­¿ïÁö¿ª/ÆòÀÏ ÁÖ¹®ºÐÀº ´çÀÏ Ãâ°í/ÀÍÀÏ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇϸç,
¼­¿ï¿ÜÁö¿ª/ÆòÀÏ ÁÖ¹®ºÐÀÇ °æ¿ì´Â ¿ÀÈÄ 6½Ã±îÁö ÁÖ¹®ºÐ¿¡ ´ëÇÏ¿© ÀÍÀÏ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇÏ´Â »óÇ°ÀÔ´Ï´Ù.
(´Ü, ¿ù¿äÀÏÀº 12½Ã±îÁö ÁÖ¹®¿¡ ÇÑÇÔ)
»óÇ°Àº, ÀÔ°í¿¹Á¤ÀÏ(Á¦Ç°Ãâ½ÃÀÏ)+Åùè»ç¹è¼ÛÀÏ(1ÀÏ)¿¡ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇÕ´Ï´Ù.
~ »óÇ°Àº À¯ÅëƯ¼º»ó ÀÎÅÍÆÄÅ©¿¡¼­ Àç°í¸¦ º¸À¯ÇÏÁö ¾ÊÀº »óÇ°À¸·Î
ÁÖ¹®ÀÏ+±âÁØÃâ°íÀÏ+Åùè»ç¹è¼ÛÀÏ(1ÀÏ)¿¡ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇÕ´Ï´Ù.(Åä/°øÈÞÀÏÀº ¹è¼Û±â°£¿¡ Æ÷ÇÔµÇÁö ¾Ê½À´Ï´Ù.)
¡Ø±âÁØÃâ°íÀÏ:ÀÎÅÍÆÄÅ©°¡ »óÇ°À» ¼ö±ÞÇÏ¿© ¹°·ùâ°í¿¡¼­ Æ÷Àå/Ãâ°íÇϱâ±îÁö ¼Ò¿äµÇ´Â ½Ã°£
<¾÷ü Á÷Á¢¹è¼Û/¿ÀǸ¶ÄÏ »óÇ°>
~ »óÇ°Àº ¾÷ü°¡ ÁÖ¹®À» È®ÀÎÇÏ°í, Ãâ°íÇϱâ±îÁö °É¸®´Â ½Ã°£ÀÔ´Ï´Ù.
ÁÖ¹®ÀÏ+±âÁØÃâ°íÀÏ+Åùè»ç¹è¼ÛÀÏ(2ÀÏ)¿¡ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇÕ´Ï´Ù.(Åä/°øÈÞÀÏÀº ¹è¼Û±â°£¿¡ Æ÷ÇÔµÇÁö ¾Ê½À´Ï´Ù.)
¡Ø5ÀÏÀ̳» Ãâ°í°¡ ½ÃÀÛµÇÁö ¾ÊÀ»½Ã, ¿ÀǸ¶ÄÏ »óÇ°Àº ÀÚµ¿À¸·Î ÁÖ¹®ÀÌ Ãë¼ÒµÇ¸ç, °í°´´Ô²² Ç°Àýº¸»ó±ÝÀ» Áö±ÞÇØ µå¸³´Ï´Ù.
¹è¼Ûºñ ¾È³»
µµ¼­(Áß°íµµ¼­ Æ÷ÇÔ)¸¸ ±¸¸ÅÇϽøé : ¹è¼Ûºñ 2,000¿ø (1¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)
À½¹Ý/DVD¸¸ ±¸¸ÅÇϽøé : ¹è¼Ûºñ 1,500¿ø (2¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)
ÀâÁö/¸¸È­/±âÇÁÆ®¸¸ ±¸¸ÅÇϽøé : ¹è¼Ûºñ 2,000¿ø (2¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)
µµ¼­¿Í À½¹Ý/DVD¸¦ ÇÔ²² ±¸¸ÅÇϽøé : ¹è¼Ûºñ 1,500¿ø 1¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)
µµ¼­¿Í ÀâÁö/¸¸È­/±âÇÁÆ®/Áß°íÁ÷¹è¼Û»óÇ°À» ÇÔ²² ±¸¸ÅÇϽøé : 2,000¿ø (1¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)
¾÷üÁ÷Á¢¹è¼Û»óÇ°À» ±¸¸Å½Ã : ¾÷üº°·Î »óÀÌÇÑ ¹è¼Ûºñ Àû¿ë

   * ¼¼Æ®»óÇ°ÀÇ °æ¿ì ºÎºÐÃë¼Ò ½Ã Ãß°¡ ¹è¼Ûºñ°¡ ºÎ°úµÉ ¼ö ÀÖ½À´Ï´Ù.
   * ºÏÄ«Æ®¿¡¼­ ¹è¼Ûºñ¾ø¾Ö±â ¹öÆ°À» Ŭ¸¯Çϼż­, µ¿ÀϾ÷ü»óÇ°À» Á¶±Ý ´õ ±¸¸ÅÇϽøé, ¹è¼Ûºñ¸¦ Àý¾àÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.
Çؿܹè¼Û ¾È³»
ÀÎÅÍÆÄÅ©µµ¼­¿¡¼­´Â ±¹³»¿¡¼­ ÁÖ¹®ÇϽðųª ÇØ¿Ü¿¡¼­ ÁÖ¹®ÇÏ¿© ÇØ¿Ü·Î ¹è¼ÛÀ» ¿øÇÏ½Ç °æ¿ì DHL°ú Ư¾àÀ¸·Î Ã¥Á¤µÈ ¿ä±ÝÇ¥¿¡
   ÀÇÇØ °³ÀÎÀÌ ÀÌ¿ëÇÏ´Â °æ¿ìº¸´Ù ¹è¼Û¿ä±ÝÀ» Å©°Ô ³·Ã߸ç DHL(www.dhl.co.kr)·Î Çؿܹè¼Û ¼­ºñ½º¸¦ Á¦°øÇÕ´Ï´Ù.
Çؿܹè¼ÛÀº µµ¼­/CD/DVD »óÇ°¿¡ ÇÑÇØ ¼­ºñ½ºÇÏ°í ÀÖÀ¸¸ç, ´Ù¸¥ »óÇ°À» ºÏÄ«Æ®¿¡ ÇÔ²² ´ãÀ¸½Ç °æ¿ì Çؿܹè¼ÛÀÌ ºÒ°¡ÇÕ´Ï´Ù.
ÇØ¿ÜÁÖ¹®¹è¼Û ¼­ºñ½º´Â ÀÎÅÍÆÄÅ© µµ¼­ ȸ¿ø °¡ÀÔÀ» Çϼž߸¸ ½Åû °¡´ÉÇÕ´Ï´Ù.
¾Ë¾ÆµÎ¼¼¿ä!!!
µµ¸Å»ó ¹× Á¦ÀÛ»ç »çÁ¤¿¡ µû¶ó Ç°Àý/ÀýÆÇ µîÀÇ »çÀ¯·Î Ãë¼ÒµÉ ¼ö ÀÖ½À´Ï´Ù.
¿ÀǸ¶ÄϾ÷üÀÇ ¹è¼ÛÁö¿¬½Ã ÁÖ¹®ÀÌ ÀÚµ¿À¸·Î Ãë¼ÒµÉ ¼ö ÀÖ½À´Ï´Ù.
Ãâ°í°¡´É ½Ã°£ÀÌ ¼­·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.
À¯ÅëÀÇ Æ¯¼º»ó Ãâ°í±â°£Àº ¿¹Á¤º¸´Ù ¾Õ´ç°ÜÁö°Å³ª ´ÊÃçÁú ¼ö ÀÖ½À´Ï´Ù.
Åùè»ç ¹è¼ÛÀÏÀÎ ¼­¿ï ¹× ¼öµµ±ÇÀº 1~2ÀÏ, Áö¹æÀº 2~3ÀÏ, µµ¼­, »ê°£, ±ººÎ´ë´Â 3ÀÏ ÀÌ»óÀÇ ½Ã°£ÀÌ ¼Ò¿äµË´Ï´Ù.
  • 0°³
  • 0°³