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Counterweight 
Hur, Anton ¤Ó Pantheon Books
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2023³â 07¿ù 11ÀÏ
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176page/140*212*24/259g
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9780593317211/0593317211
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  • HUMMINGBIRD ATTACK Clink. Clink. Clink. A nickel and a quarter are dancing on Rex Tamaki¡¯s left hand. Controlled by tiny movements of the index and little fingers, these thin metal discs fly up, spin, roll, and leapfrog over each other like they¡¯re living beings with free will. The dance of the coins ends as abruptly as it started. Realizing he was distracting me, Tamaki snatches the coins from the air and drops them into his pocket, throwing me a smirk. A provocative and seductive smirk. Tamaki isn¡¯t gay, he just enjoys pushing buttons and stringing people along. Miffed, I look away. The interior of the plane is quiet. The only thing I hear through my nonaugmented ears is the low drone of the engines. This apparent silence is deceptive; judging from the continu¡©ous smirking of Tamaki¡¯s personnel, I can tell they¡¯re sending silent messages to each other. They did open a channel for me, too, but since I entered the cabin not one person has engaged me in conversation. Not that I care. They can keep their stupid jokes. Rex Tamaki, contrasting with his gorilla-like colleagues with their muscles bursting out of their shirts, looks almost slight. But you can¡¯t trust looks these days. No one¡¯s strength is in proportion to their muscles anymore. Since he lost his Olympic gold medal fifteen years ago in a doping scandal, Tamaki¡¯s body has undergone several phases of modification. The current version, now before me, is clearly the handiwork of someone who treats rules and regulations with contempt. The alarm inside my head strikes 22:00. For the next eighteen hours, judicial power of the Gondal Quarter will transfer from Tamoe¡¯s government to the LK Group. Don¡¯t even ask me what I had to do flitting between islands, trying to make this happen. Tamaki and his gang, almost synchronized, get up from their seats. I feel a kind of floating sensation as we begin to descend and the golden hatch in front of me spins open. Our Hummingbird circles over the Gondal Quarter at three hundred meters and descends like an elevator. Through the widening hatch, I can see the coastline village that looks like a scattering of plastic boxes. As the hatch widens and the plane begins to slow down at fifteen meters, the Tamaki gang begin jumping off one by one. Despite their bulky bodies they move with such grace that their feet hardly make a sound as they land on the roofs of the buildings and disappear into the village. I remain secured in my seat, seatbelt fastened, looking on. Hot air blows through the hatch into the interior. It smells of the village. Food, fish, excrement, trash, people. In that mess of boxes are thousands of people breathing, eating, excreting, sleeping, vomiting, copulating, and popping out babies. My insides turn. ¡°Shall we have some fun, Mac?¡± Tamaki¡¯s voice. And like all voices that come over the Worm, it¡¯s oddly separated from ambient noise. The voice of a god, stripped of its sanctity, with only the monstrosity remaining. A...
  • Hur, Anton [Àú]
  • Àüü 0°³ÀÇ ±¸¸ÅÈıⰡ ÀÖ½À´Ï´Ù.

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