외국도서

>

문학

>

전기/자서전

• 
• 제휴몰 주문 시 고객보상, 일부 이벤트 참여 및 증정품 증정, 하루/당일 배송에서 제외되므로 참고 바랍니다.

• 
• 도서  > 외국도서  > 문학  > 전기/자서전

• 
• 
• Chapter One: A Brief History of Me CHAPTER ONE A BRIEF HISTORY OF ME AND WHY YOU CAN TRUST ME WITH THIS STORY WITH GREAT POWER COMES GREAT… YOU KNOW THE REST It takes a second for a person to realize that their life has changed forever. As I was standing there, a nineteen-year-old soldier in the Israeli military, with my back against the wall, nervous and sweaty, it dawned on me that this was it. My life would never be the same. The evening had actually started out fairly chill. It was my younger sister’s twelfth birthday, and my dad, stepbrother, and I were taking her and her friends ice skating and to get some McDonald’s at the mall. I wasn’t on alert. A mall didn’t sound like something threatening or problematic. It was just my sister’s birthday―and it would change my life. But before we move forward, let’s take a step back. My name is Noa Tishby, and I was born in Israel. I was raised in the suburbs of Tel Aviv, in a middle-class, politically active family that can trace its lineage through the creation of the state. My grandmother was one of the founders of the first kibbutz (a collective farm; more on this later) in Israel, my great-grandfather was the founder of the Ministry of Industry and Trade, and my grandfather was Israel’s first ambassador to West African countries and served as a member of the Israeli delegation to the United Nations. Needless to say, this left a strain of intrepid curiosity in my DNA. Growing up, I accompanied my parents to various protests and demonstrations, and we had ministers and ambassadors over for dinner several times a month. Politics was all around me, which is why it was somewhat surprising that I decided to go into the entertainment industry. I started having the urge to act as a child. Like, a really young child. I used to see kids on TV and I just knew that was what I wanted to do. No one from my family was in the industry, and my mom, being the ninja that she is, neither knew nor cared much about it (a fact that remains true to this day). Supportive yet flummoxed, she said what any normal mom would say: “When you grow up, you can do whatever you want.” So I waited until I was all grown up, a wizened twelve years of age, and started taking myself to places in Tel Aviv where I heard that casting directors roamed the land. I found my first crappy agent, who sent me on the bus to auditions. I didn’t ask my parents; I just did it. Around the age of thirteen, I started booking national commercials and TV appearances, which, ultimately, led to my parents’ discovery of my extracurricular activities. I enrolled in my first drama class, and it was love at first sight. I got hooked. I got a drama scholarship from the Tel Aviv Museum of Art and spent most of high school participating in school plays and musicals. Upon graduation, I did what (nearly) everyone in the country does: I joined the Israeli Defense Forces (IDF). National service was, and still is, mandatory for most Israelis; and since, at the tim...e, soldiers in the IDF were not allowed to work outside of the service, I put my career on hold. But that didn’t mean I gave up on my dream. Instead of buckling down on my push-ups, I auditioned for the military’s performance corps―the entertainment troops. Funny as it may sound, the troops are extremely selective. Their audition process is the theatrical equivalent of Krav Maga. Seriously. It took several grueling months for the military to decide that instead of putting me into a Nikita-type position, or alternatively, making me serve coffee to a random commander, they could use my singing skills. I was in! I might not have been the most kick-ass secret agent, but I was a valued member of The IDF Circus Show (don’t ask, but there were no elephants involved). Every day, we drove from one military base to another, and every night we performed sketch comedy and covered hit songs. Basically, a nightly USO tour. The novelty wore off pretty quick, but the view from the back of the bus was priceless. From the Golan Heights to Hebron to the Gaza Strip, I saw how people lived and how the military worked. The army was indeed a true melting pot, and I got to see places and meet people I wouldn’t have had the chance to meet otherwise. It was also where I was introduced to the magical method of “threading,” or plucking your eyebrows with just a single thread. It, like the service itself, changed my life forever. Toward the end of my service, I received a call from my agent about a couple of job prospects. The first was incredible. I was offered the part of Rizzo in a new stage production of Grease, directed by the biggest director in the country and starring the biggest names of that time. Just so we are clear, I was obsessed with Grease. Obsessed. I knew it by heart, I loved the role of Rizzo, and I was beside myself with excitement. The second offer was to audition for a pilot for a new TV show. The casting director was looking for a sixteen-year-old ingenue, and at just over nineteen I made perfect sense. I went to the audition and waited outside with all the other teenagers. They didn’t give us texts―or, as we call them, “sides”―to memorize in advance; they just handed us a piece of paper on the spot to do a “cold read.” I scanned that text, and man, it was crap. It was the most cliched phone conversation between a teenage girl and her mom, and it wasn’t to this little brat’s liking. When they called my name, I walked into the room, sat down, and asked the director if I could improvise. He was a bit shocked, but he said yes, so I threw the text on the floor and improvised a call, miming holding a phone to my ear and everything. When I finished, the director looked at the monitor, then looked back at me. “Can you smile for us, please?” I did. He looked at the monitor again, looked back at me, and said: “I have a role for you, but it’s not this one.” I didn’t get the role of the innocent teenage girl. I got the role of the main villain. The main love interest. The main bitch. With both of these offers on the table, I went to my commander to beg for a break. I told him about the musical and the pilot and asked if, maybe, I could start my career while completing my service like a good soldier girl. He didn’t even pause to think about it. The musical was a no. Performing Grease onstage every night would take me away from performing for the soldiers every night. But that little TV show? Fine. It was only a pilot. He told me to go film it and come back. And so I did. That career move was one of the biggest turning points of my life. Grease came and went without leaving any lasting impression on anyone. However, that little pilot turned out to be the dictionary definition of an overnight sensation. The show, Ramat Aviv Gimmel―named after one of the most affluent neighborhoods in Tel Aviv―modeled itself after American prime-time soaps of the era, Melrose Place and the like. It took place in a fashion company, and I played the new hotshot designer brought in to revamp the brand, who, naturally, had an affair with the head of the company and subsequently got entangled in a series of delightful catfights with the CEO’s older and superchic evil wife. It was silly, over-the-top, and the Israeli audience devoured it. The show became a massive hit. Ignorant of this all, I was still in the bubble of active military service. My fellow soldiers ribbed me about playing an older vixen on that TV show, but other than that, it was all business as usual. Until that fateful day at the McDonald’s. This is how my journey began, back in the nineties, my back against the wall, my father and stepbrother dragging me away from a pile of kids screaming out my character’s name (Daphne, if you’re wondering) and begging for an autograph in those simple pre-selfie days. AN AMERICAN DREAM By the time I turned twenty-two years old, I was a full-on veteran of the Israeli entertainment industry. I booked the role of Anita in the Habima National Th
• 
• 

• Tishby, Noa [저]

• 전체 0개의 구매후기가 있습니다.
• 

인터파크도서는 고객님의 단순 변심에 의한 교환과 반품에 드는 비용은 고객님이 지불케 됩니다. 단, 상품이나 서비스 자체의 하자로 인한 교환 및 반품은 무료로 반품 됩니다. 교환 및 반품이 가능한 경우 상품을 공급 받은 날로부터 7일이내 가능 공급받으신 상품의 내용이 표시, 광고 내용과 다르거나 다르게 이행된 경우에는 공급받은 날로부터 3개월 이내,    혹은 그사실을 알게 된 날 또는 알 수 있었던 날로부터 30일 이내 상품에 아무런 하자가 없는 경우 소비자의 고객변심에 의한 교환은 상품의 포장상태 등이 전혀 손상되지 않은 경우에 한하여 가능 교환 및 반품이 불가능한 경우 구매확정 이후(오픈마켓상품에 한함) 고객님의 책임 있는 사유로 상품 등이 멸실 또는 훼손된 경우    (단, 상품의 내용을 확인하기 위하여 포장 등을 훼손한 경우는 제외) 시간이 지남에 따라 재판매가 곤란할 정도로 물품의 가치가 떨어진 경우 포장 개봉되어 상품 가치가 훼손된 경우 다배송지의 경우 반품 환불 다배송지의 경우 다른 지역의 반품을 동시에 진행할 수 없습니다. 1개 지역의 반품이 완료된 후 다른 지역 반품을 진행할 수 있으므로, 이점 양해해 주시기 바랍니다. 중고상품의 교환 중고상품은 제한된 재고 내에서 판매가 이루어지므로, 교환은 불가능합니다. 오픈마켓 상품의 환불 오픈마켓상품에 대한 책임은 원칙적으로 업체에게 있으므로, 교환/반품 접수시 반드시 판매자와 협의 후 반품 접수를 하셔야하며,    반품접수 없이 반송하거나, 우편으로 보낼 경우 상품 확인이 어려워 환불이 불가능할 수 있으니 유의하시기 바랍니다.

배송예정일 안내 인터파크 도서는 모든 상품에 대해 배송완료예정일을 웹사이트에 표시하고 있습니다. <인터파크 직배송 상품> 상품은 월~토요일 오전 10시 이전 주문분에 대하여 당일 출고/당일 배송완료를 보장하는 상품입니다. 상품은 서울지역/평일 주문분은 당일 출고/익일 배송완료를 보장하며, 서울외지역/평일 주문분의 경우는 오후 6시까지 주문분에 대하여 익일 배송완료를 보장하는 상품입니다. (단, 월요일은 12시까지 주문에 한함) 상품은, 입고예정일(제품출시일)+택배사배송일(1일)에 배송완료를 보장합니다. ~ 상품은 유통특성상 인터파크에서 재고를 보유하지 않은 상품으로 주문일+기준출고일+택배사배송일(1일)에 배송완료를 보장합니다.(토/공휴일은 배송기간에 포함되지 않습니다.) ※기준출고일:인터파크가 상품을 수급하여 물류창고에서 포장/출고하기까지 소요되는 시간 <업체 직접배송/오픈마켓 상품> ~ 상품은 업체가 주문을 확인하고, 출고하기까지 걸리는 시간입니다. 주문일+기준출고일+택배사배송일(2일)에 배송완료를 보장합니다.(토/공휴일은 배송기간에 포함되지 않습니다.) ※5일이내 출고가 시작되지 않을시, 오픈마켓 상품은 자동으로 주문이 취소되며, 고객님께 품절보상금을 지급해 드립니다. 배송비 안내 도서(중고도서 포함)만 구매하시면 : 배송비 2,000원 (1만원이상 구매 시 무료배송) 음반/DVD만 구매하시면 : 배송비 1,500원 (2만원이상 구매 시 무료배송) 잡지/만화/기프트만 구매하시면 : 배송비 2,000원 (2만원이상 구매 시 무료배송) 도서와 음반/DVD를 함께 구매하시면 : 배송비 1,500원 1만원이상 구매 시 무료배송) 도서와 잡지/만화/기프트/중고직배송상품을 함께 구매하시면 : 2,000원 (1만원이상 구매 시 무료배송) 업체직접배송상품을 구매시 : 업체별로 상이한 배송비 적용    * 세트상품의 경우 부분취소 시 추가 배송비가 부과될 수 있습니다.    * 북카트에서 배송비없애기 버튼을 클릭하셔서, 동일업체상품을 조금 더 구매하시면, 배송비를 절약하실 수 있습니다. 해외배송 안내 인터파크도서에서는 국내에서 주문하시거나 해외에서 주문하여 해외로 배송을 원하실 경우 DHL과 특약으로 책정된 요금표에    의해 개인이 이용하는 경우보다 배송요금을 크게 낮추며 DHL(www.dhl.co.kr)로 해외배송 서비스를 제공합니다. 해외배송은 도서/CD/DVD 상품에 한해 서비스하고 있으며, 다른 상품을 북카트에 함께 담으실 경우 해외배송이 불가합니다. 해외주문배송 서비스는 인터파크 도서 회원 가입을 하셔야만 신청 가능합니다. 알아두세요!!! 도매상 및 제작사 사정에 따라 품절/절판 등의 사유로 취소될 수 있습니다. 오픈마켓업체의 배송지연시 주문이 자동으로 취소될 수 있습니다. 출고가능 시간이 서로 다른 상품을 함께 주문할 경우 출고가능 시간이 가장 긴 기준으로 배송됩니다. 유통의 특성상 출고기간은 예정보다 앞당겨지거나 늦춰질 수 있습니다. 택배사 배송일인 서울 및 수도권은 1~2일, 지방은 2~3일, 도서, 산간, 군부대는 3일 이상의 시간이 소요됩니다.