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CDA68363
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  • ½´¸¸: Å©¶óÀ̽½·¹¸®¾Æ³ª, ¾Æ¶óº£½ºÅ©, ȯ»ó°î

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    ¿¬ÁÖ: ½ºÆ¼ºì ÇãÇÁ(ÇǾƳë)
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    Ŭ¶ó¶ó ºñÅ©¿Í ¾àÈ¥ ±×·¯³ª ±×³à ¾Æ¹öÁöÀÇ ±Ø½ÉÇÑ ¹Ý´ë·Î ÀÎÇØ º¹ÀâÇÑ ½É°æÀÇ º¯È­°¡ ÀÖ¾ú´ø 20´ë ÈÄ¹Ý ½´¸¸ÀÇ ¿­·ÄÇÑ »ç¶û°ú ¿¹¼úÀû ¿µ°¨ÀÌ Â£°Ô ¹è¾î ÀÖ´Â 3ÆíÀÇ °ÉÀÛ¿¡¼­ ÇãÇÁ´Â ÃÊÀÎÀûÀÎ Å×Å©´Ð°ú ½ÃÀû »ó»ó·ÂÀ¸·Î ÀÌ °ÉÀ۵鿡 ÀÖ¾î °¡Àå ÀÌ»óÀûÀÎ ÇØ¼®°¡ÀÇ ¸é¸ð¸¦ º¸¿©ÁØ´Ù.
    *¹Ì¸®µè±â https://youtu.be/SbD_bJo1eCs
    *µð¾ÆÆÄÁ¾ Ȳ±Ý»ó
    ¡°If there's a right time in life to record certain works, then Stephen Hough has chosen precisely the right time to record these masterpieces. They're familiar works but in Hough's hands we hear them afresh. Mature, worldly, insightful, probing—his playing is all these and more. In Arabeske, the shifting moods move like clouds across a field on a summer's day. The closing bars will take your breath away. Kreisleriana, which follows, is a masterclass in characterisation, Hough digging deep to bring us every precious moment. I vouch you've never heard No 2 played so lovingly, No 3 at times so wistfully or No 4 so thoughtfully. Similarly, in the livelier moments, as in No 5, Hough never sacrifices the music for mere virtuosity, always finding the beauty and the poetry in every passing note. As he also does in the Fantasie where, once again, his playing plunges us deep into Schumann's complex but ultimately life-affirming world¡± - Pianist

    ¡°Such tenderness in the opening movement [of the Fantasie]—Schumann's deep lament for Clara—then more extrovert but never flamboyant; deeply thought and felt from beginning to end ¡¦ I was captivated by it under the peculiar circumstances of our first 'live' broadcast from Wigmore Hall last year, but the magic is in this studio recording as well, and it's a well-balanced sound. The intimacy and every mercurial change of colour and mood in Schumann's Kreisleriana; less volcanic than some, perhaps, but Hough doesn't have to shout to make his musical points. The opening Arabeske is a deliciously understated way to start as well. It's Schumann from the top drawer ¡¦ my Record of the Week¡± - BBC Record Review
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