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“Taken together-which they should be-Before Sunrise and Before Sunset make up one of the supreme movie romances of the post-eighties era, an affair of the film and flesh to make the heart leap and the mind dance.” ?Chicago Tribune

Before Sunrise 1
Before Sunset 111

Fade in.

1

INTERIOR: TRAIN - AFTERNOON

The Eurail rolls along. Inside, passengers sleep, read, and stare out the window. A few walk up and down the aisles.

C00ELINE, a young woman in her mid-twenties, is curled up in her seat reading Georges Bataille's Story of the Eye. Strikingly attractive, she plays it down by wearing no makeup, a loose-fitting vintage dress, and flat shoes. She continues reading while taking an occasional bite of a chocolate bar. Sitting four rows back and on the other side of the aisle,

JESSE, also mid-twenties, is engrossed in Klaus Kinski's memoir, All I Need Is Love. Casually good-looking but a little scruffy, he dresses in the jeans and T-shirt mode. Suddenly a couple, two fortyish types who have been arguing semiquietly in the seat behind CELINE, start yelling at each other in German. The WIFE takes a swipe at the newspaper the HUSBAND has been screening himself behind.

WIFE Will you put down that damn newspaper and listen to me?

HUSBAND What've I been doing the last thirty minutes? Would you shut up for Chrissake?

WIFE You shut up! How dare you tell me to shut up! It's the same damn thing all over again! I can't believe-

HUSBAND I said shut up! I'm putting down my newspaper and telling you to shut up.

CELINE suddenly gets up, grabs her bag, and starts looking for another seat. A few rows back, she finds a seat across the aisle from JESSE. Before sitting down, they make brief eye contact and kind of shake their heads and smile at the tension. Just as she settles in and goes back to her book, the WIFE gets up and storms down the aisle. JESSE and CELINE follow her with their eyes, and as she passes them they find they are looking right at each other. He makes a funny "uh-oh" face.

JESSE Do you have any idea what they're arguing about? Do you speak English?

CELINE Yes. But no, I don't know. My German is not that good. (a beat) Have you ever heard that as couples get older they lose their ability to hear each other?

JESSE Really?

CELINE Supposedly men lose their ability to hear higher-pitched sounds and women eventually lose hearing on the low end. I guess they sort of nullify each other or something.

JESSE Must be nature's way of allowing couples to grow old together and not kill each other, I guess. There's a slightly awkward moment where they don't know if they should continue talking or not. She glances back down at her book but he keeps looking at her.

JESSE (continued) What are you reading? She holds up the book so he can see what it is.

CELINE How about you? He shows her what he's reading. Neither has much to say about the other's reading material.

CELINE (continued) There are so many weird people on the train, no? Last week on my way to Budapest I was sitting and talking with four other people in the lounge car and it turned out that three of them had killed people.

특별한 러브스토리 '비포선라이즈'와 '비포선셋'-2가지 이야기를 한 권에 담았다.
유럽 횡단 열차에서 만난 프랑스 여인 셀린느와 미국 청년 제시.
예기치 못한 만남과 단 하룻밤의 동행에서 두 사람은 서로가 가지고 있는 사랑과 실연의 아픔, 결혼과 인생의 의미, 죽음 등에 대해 진지한 얘기를 나누며 깊은 교감을 나눈다.
그리고 7년 후 다시 만난 그들은 여전히 서로를 연결하는 끈을 느끼는데..
두 사람의 명대사를 하나씩 음미해 볼 수 있다.

In one volume, the screenplays to two contemporary classics, directed by Richard Linklater, and starring Ethan Hawke and Julie Delpy, about the immediate and life-altering attraction between two strangers.

On a train from Budapest to Vienna, Jesse, a young American student, at the end of a romance and his European trip, meets Celine, a young French woman. They are immediately attracted. Despite knowing this may be the only time they will see each other, in the next few hours in the city of Vienna, they share everything and promise to meet again.

Nearly a decade later, Jesse, now a novelist on a publicity tour, sees Celine in a bookstore in Paris. Again their time is short, and they spend it reestablishing the connection they experienced on their first meeting. Romantic, poignant, understated, and often profound, these two screenplays are sure to become classics in their own right.