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The Divine Comedy Vol.3 : Paradise (Penguin Classics)
:
8,900¿ø (0%¡é)
The Divine Comedy Vol.2: Purgatory (Classics)
:
8,900¿ø (0%¡é)
Faust Part 1
: The First Part of the Tragedy
7,120¿ø (20%¡é)
A Short History of the World (Penguin Classics)
8,900¿ø (0%¡é)
Women in Love
7,120¿ø (20%¡é)
Cat on a Hot Tin Roof (Penguin Modern Classics)
:
8,900¿ø (0%¡é)
Cat's Cradle
7,150¿ø (20%¡é)
The Outsiders (Penguin Modern Classics)
7,150¿ø (20%¡é)
The Fountainhead (Penguin Modern Classics)
:
6,300¿ø (30%¡é)
Road to Wigan Pier
7,150¿ø (20%¡é)
The Pearl (Penguin Modern Classics)
8,630¿ø (4%¡é)
Of Mice and Men (Penguin Modern Classics)
:
7,150¿ø (20%¡é)
East of Eden (Penguin Modern Classics)
:
7,150¿ø (20%¡é)
The Grapes of Wrath (Penguin Modern Classics)
8,630¿ø (4%¡é)
One Hundred Years of Solitude (Penguin Modern Classics)
:
7,150¿ø (20%¡é)
Ulysses (Penguin Modern Classics)
7,150¿ø (20%¡é)
On the Road (Penguin Modern Classics)
:
8,900¿ø (0%¡é)
A Portrait of the Artist as a Young Man (Penguin Modern Classics)
:
8,680¿ø (3%¡é)
Dubliners
:
8,900¿ø (0%¡é)
Lord of the Flies (Penguin Classics)
7,600¿ø (47%¡é)
The Romance of the Three Kingdoms (Penguin Classics)
14,630¿ø (25%¡é)
Kokoro
8,900¿ø (0%¡é)
The Theory of Moral Sentiments (Penguin Classics)
:
8,900¿ø (0%¡é)
The Art of War ( Penguin Classics )
8,010¿ø (10%¡é)
Eichmann in Jerusalem (Penguin Classics)
: *¿¹·ç»ì·½ÀÇ ¾ÆÀÌÈ÷¸¸ - ¾ÇÀÇ Æò¹ü¼º¿¡ ´ëÇÑ º¸°í¼
14,830¿ø (32%¡é)
The Red Badge of Courage and Other Stories (Penguin Classics)
:
10,840¿ø (20%¡é)
Peter Pan (Penguin Classics)
: Peter and Wendy and Peter Pan in Kensington Gardens
8,900¿ø (0%¡é)
Nature and Selected Essays (Penguin Classics)
:
8,900¿ø (0%¡é)
Moby-Dick (Penguin Classics)
: Or, the Whale
8,900¿ø (0%¡é)
Republic (Penguin Classics)
8,900¿ø (0%¡é)
Just So Stories (Penguin Classics)
7,500¿ø (16%¡é)
The Three Musketeers (Penguin Classics)
:
7,600¿ø (15%¡é)
Utopia (Penguin Classics)
6,200¿ø (31%¡é)
The Prince (Penguin Classics)
7,120¿ø (20%¡é)
Grimm Tales (Penguin Classics)
: For Young and Old
8,900¿ø (0%¡é)
The Talmud: A Selection (Penguin Classics)
:
15,000¿ø (42%¡é)
Heart of Darkness/The Congo Diary (Penguin Classics)
:
6,200¿ø (31%¡é)
Lady Chatterley's Lover: AND A Propos of 'Lady Chatterley's Lover' (Penguin Classics)
8,900¿ø (0%¡é)
On Liberty and The Subjection of Women (Penguin Classics)
7,150¿ø (20%¡é)
Daisy Miller: A Study (Penguin Classics)
7,200¿ø (20%¡é)
The Portrait of a Lady (Penguin Classics)
8,900¿ø (0%¡é)
A Vindication of the Rights of Woman (Penguin Classics)
:
8,900¿ø (0%¡é)
Jane Eyre (Penguin Classics)
6,000¿ø (33%¡é)
Maurice (Penguin Classics)
:
8,900¿ø (0%¡é)
The War of the Worlds (Penguin Classics)
:
8,900¿ø (0%¡é)
Dracula (Penguin Classics)
:
7,570¿ø (15%¡é)
Vanity Fair (Penguin Classics)
8,900¿ø (0%¡é)
Robinson Crusoe (Penguin Classics)
:
8,900¿ø (0%¡é)
Alice's Adventures in Wonderland and Through the Looking-Glass (Penguin Classics)
6,500¿ø (27%¡é)
Oliver Twist
:
7,500¿ø (16%¡é)
The Strange Case of Dr Jekyll and Mr Hyde (Penguin Classics)
: and Other Tales of Terror
7,120¿ø (20%¡é)
The Pilgrim's Progress
7,150¿ø (20%¡é)
The Complete Short Fiction
:
8,900¿ø (0%¡é)
Persuasion
7,150¿ø (20%¡é)
Hard Times (Penguin Classics)
7,500¿ø (16%¡é)
The Adventures of Huckleberry Finn (Penguin Classics)
:
7,150¿ø (20%¡é)
A Tale of Two Cities (Updated and REV) (Penguin Classics)
:
6,700¿ø (25%¡é)
Tess of the D'Urbervilles (Penguin Classics)
7,150¿ø (20%¡é)
Emma (Penguin Classics)
:
8,500¿ø (5%¡é)
GREAT EXPECTATIONS (PENGUIN CLASSIC)
:
8,900¿ø (0%¡é)
Middlemarch (Penguin Classics)
:
8,900¿ø (0%¡é)
Pride & Prejudice
6,500¿ø (27%¡é)
Pygmalion (Penguin Classics)
:
7,150¿ø (20%¡é)
Gulliver's Travels (Penguin Classics)
:
8,900¿ø (0%¡é)
Frankenstein ( Penguin Classics )
: Or, the Modern Prometheus
6,230¿ø (30%¡é)
A Tale of Two Cities
:
20,480¿ø (15%¡é)
A Doll's House and Other Plays (Penguin Classics)
: With Pillars of the Community, Ghosts and an Enemy of the People
7,150¿ø (20%¡é)
The Phantom of the Opera (Penguin Classics)
7,150¿ø (20%¡é)
Nineteen Eighty-four 1984 (Penguin Modern Classics)
:
6,200¿ø (31%¡é)
Wide Sargasso Sea
:
6,600¿ø (26%¡é)
A Room with a View (Penguin Classics)
8,900¿ø (0%¡é)
Animal Farm
: A Fairy Story
6,200¿ø (31%¡é)
Howards End (Penguin Classics)
:
8,900¿ø (0%¡é)
The Last Days of Socrates (Penguin Classics)
:
7,150¿ø (20%¡é)
The Book of Chuang Tzu (Penguin Classics)
:
8,900¿ø (0%¡é)
Notes from Underground and the Double (Penguin Classics)
8,900¿ø (0%¡é)
The Republic (Penguin Classics)
:
7,150¿ø (20%¡é)
The Law (Penguin Classics)
7,900¿ø (62%¡é)
Mencius (Penguin Classics)
:
8,900¿ø (0%¡é)
Kreutzer Sonata and Other Stories (Penguin Classics)
:
8,900¿ø (0%¡é)
The Nicomachean Ethics (Penguin Classics)
:
7,150¿ø (20%¡é)
The Dhammapada (Penguin Classics)
:
8,900¿ø (0%¡é)
The Arabian Nights: Volume 3 (Penguin Classics)
: Tales of 1,001 Nights
16,800¿ø (36%¡é)
The Arabian Nights: Volume 2 (Penguin Classic)
: Tales of 1,001 Nights
17,500¿ø (33%¡é)
The Arabian Nights: Volume 1 (Penguin Classics)
: Tales of 1001 Nights
16,800¿ø (36%¡é)
Meditations (Penguin Classics)
:
8,110¿ø (9%¡é)
Symposium (Penguin Classics)
6,200¿ø (31%¡é)
Brothers Karamazov (Penguin Classic)
:
6,200¿ø (31%¡é)
ANNA KARENINA (PENGUIN CLASSICS)
:
8,900¿ø (0%¡é)
The Odyssey (Penguin Classics)
8,900¿ø (0%¡é)
Don Quixote (Penguin Classics)
:
7,150¿ø (20%¡é)
The Histories (Penguin Classics)
:
7,150¿ø (20%¡é)
Around the World in Eighty Days (Penguin Classics)
:
8,900¿ø (0%¡é)
Gorgias (Penguin Classics)
:
8,900¿ø (0%¡é)
Protagoras And Meno (Penguin Classics)
8,900¿ø (0%¡é)
Dante: Inferno (Penguin Classics)
:
8,900¿ø (0%¡é)
Dead Souls (Revised) ( Penguin Classics )
:
8,900¿ø (0%¡é)
The Iliad (Penguin Classics)
:
8,900¿ø (0%¡é)
War and Peace (Penguin Classics)
16,860¿ø (20%¡é)
The Idiot (Penguin Classics)
:
8,900¿ø (0%¡é)
Lady With Little Dog and Other Stories, 1896-1904 (Penguin Classics)
:
8,900¿ø (0%¡é)
The Red and the Black (Penguin Classics)
:
8,900¿ø (0%¡é)
Democracy in America (Penguin Classics)
: And Two Essays on America
16,640¿ø (16%¡é)
Critique of Pure Reason (Penguin Classics)
:
17,610¿ø (25%¡é)
Pensees (Penguin Classics)
:
8,900¿ø (0%¡é)
What Is Art? (Penguin Classics)
:
8,900¿ø (0%¡é)
Poetics (Penguin Classics)
:
8,900¿ø (0%¡é)
Essays : A Selection (Penguin Classics)
:
8,900¿ø (0%¡é)
Either/or: A Fragment of Life (Penguin Classics)
:
18,040¿ø (15%¡é)
Conversations of Socrates (Penguin Classics)
8,900¿ø (0%¡é)
Twilight of Idols and Anti-Christ (Penguin Classics)
:
7,120¿ø (20%¡é)
The Art of Rhetoric (Penguin Classics)
8,900¿ø (0%¡é)
The Sorrows of Young Werther (Penguin Classics)
:
7,150¿ø (20%¡é)
The Federalist Papers (Penguin Classics)
:
8,900¿ø (0%¡é)
The Three Theban Plays (Penguin Classics)
: Antigone/Oedipus the King/Oedipus at Colonus
8,900¿ø (0%¡é)
The Politics (Penguin Classics)
:
8,900¿ø (0%¡é)
Notre-Dame of Paris (Penguin Classics)
:
6,200¿ø (31%¡é)
The Analects (Penguin Classics)
:
8,900¿ø (0%¡é)
Nietzsche Reader (Penguin Classics)
:
7,150¿ø (20%¡é)
Italian Journey
: 1786-1788
17,400¿ø (15%¡é)
Essays and Aphorisms (Penguin Classics)
8,900¿ø (0%¡é)
Letters from a Stoic ( Penguin Classics )
: Epistulae Morales Ad Lucilium
8,900¿ø (0%¡é)
The Social Contract (Penguin Classics)
:
8,300¿ø (7%¡é)
The History of the Peloponnesian War (Penguin Classics)
8,900¿ø (0%¡é)
David Copperfiield (*)
7,150¿ø (20%¡é)
The Origin of Species (Penguin Classics)
8,900¿ø (0%¡é)
The Sign of Four (Penguin Classics)
:
8,680¿ø (3%¡é)
A Christmas Carol and Other Christmas Writings (Penguin Classics)
8,900¿ø (0%¡é)
The Adventures of Sherlock Holmes & the Memoirs of Sherlock Holmes (Penguin Classics)
:
8,900¿ø (0%¡é)
The History of the Decline and Fall of the Roman Empire ( Penguin Classics )
9,900¿ø (54%¡é)
The Prince and the Pauper (Penguin Classics)
:
8,900¿ø (0%¡é)
Selected Writings (Penguin Classics)
:
24,040¿ø (25%¡é)
The Wealth of Nations Book 4-5 (Penguin Classics)
:
7,150¿ø (20%¡é)
Ethics (Penguin Classics)
:
7,120¿ø (20%¡é)
Felix Holt, the Radical (Penguin Classics)
:
8,900¿ø (0%¡é)
The Birth of Tragedy (Penguin Classics)
: Out of the Spirit of Music
8,900¿ø (0%¡é)
A Treatise of Human Nature (Penguin Classics)
:
17,620¿ø (35%¡é)
The Essays (Penguin Classics)
8,900¿ø (0%¡é)
Resurrection (Penguin Classics)
7,150¿ø (20%¡é)
Selected Poems (Penguin Classics)
:
8,900¿ø (0%¡é)
Paradise Lost (Penguin Classics)
:
7,150¿ø (20%¡é)
The Canterbury Tales (Penguin Classics)
:
7,150¿ø (20%¡é)
The Canterbury Tales (Penguin Classics)(1328)
:
25,620¿ø (15%¡é)
Little Women (Penguin Classic)
:
8,900¿ø (0%¡é)
Penguin Classics
(ÃÑ130°Ç)
The Divine Comedy Vol.3 : Paradise (Penguin Classics)
:
8,900¿ø (0%¡é)
Faust Part 1
: The First Part of the Tragedy
7,120¿ø (20%¡é)
A Short History of the World (Penguin Classics)
8,900¿ø (0%¡é)
Women in Love
7,120¿ø (20%¡é)
Cat's Cradle
7,150¿ø (20%¡é)
The Outsiders (Penguin Modern Classics)
7,150¿ø (20%¡é)
The Fountainhead (Penguin Modern Classics)
:
6,300¿ø (30%¡é)
Road to Wigan Pier
7,150¿ø (20%¡é)
The Pearl (Penguin Modern Classics)
8,630¿ø (4%¡é)
Of Mice and Men (Penguin Modern Classics)
:
7,150¿ø (20%¡é)
East of Eden (Penguin Modern Classics)
:
7,150¿ø (20%¡é)
The Grapes of Wrath (Penguin Modern Classics)
8,630¿ø (4%¡é)
One Hundred Years of Solitude (Penguin Modern Classics)
:
7,150¿ø (20%¡é)
Ulysses (Penguin Modern Classics)
7,150¿ø (20%¡é)
A Portrait of the Artist as a Young Man (Penguin Modern Classics)
:
8,680¿ø (3%¡é)
Dubliners
:
8,900¿ø (0%¡é)
Lord of the Flies (Penguin Classics)
7,600¿ø (47%¡é)
The Romance of the Three Kingdoms (Penguin Classics)
14,630¿ø (25%¡é)
The Theory of Moral Sentiments (Penguin Classics)
:
8,900¿ø (0%¡é)
The Red Badge of Courage and Other Stories (Penguin Classics)
:
10,840¿ø (20%¡é)
Nature and Selected Essays (Penguin Classics)
:
8,900¿ø (0%¡é)
Moby-Dick (Penguin Classics)
: Or, the Whale
8,900¿ø (0%¡é)
Republic (Penguin Classics)
8,900¿ø (0%¡é)
The Three Musketeers (Penguin Classics)
:
7,600¿ø (15%¡é)
Utopia (Penguin Classics)
6,200¿ø (31%¡é)
The Prince (Penguin Classics)
7,120¿ø (20%¡é)
Grimm Tales (Penguin Classics)
: For Young and Old
8,900¿ø (0%¡é)
The Talmud: A Selection (Penguin Classics)
:
15,000¿ø (42%¡é)
Heart of Darkness/The Congo Diary (Penguin Classics)
:
6,200¿ø (31%¡é)
Lady Chatterley's Lover: AND A Propos of 'Lady Chatterley's Lover' (Penguin Classics)
8,900¿ø (0%¡é)
On Liberty and The Subjection of Women (Penguin Classics)
7,150¿ø (20%¡é)
Daisy Miller: A Study (Penguin Classics)
7,200¿ø (20%¡é)
The Portrait of a Lady (Penguin Classics)
8,900¿ø (0%¡é)
A Vindication of the Rights of Woman (Penguin Classics)
:
8,900¿ø (0%¡é)
Jane Eyre (Penguin Classics)
6,000¿ø (33%¡é)
Maurice (Penguin Classics)
:
8,900¿ø (0%¡é)
The War of the Worlds (Penguin Classics)
:
8,900¿ø (0%¡é)
Vanity Fair (Penguin Classics)
8,900¿ø (0%¡é)
Robinson Crusoe (Penguin Classics)
:
8,900¿ø (0%¡é)
Alice's Adventures in Wonderland and Through the Looking-Glass (Penguin Classics)
6,500¿ø (27%¡é)
Oliver Twist
:
7,500¿ø (16%¡é)
The Pilgrim's Progress
7,150¿ø (20%¡é)
The Complete Short Fiction
:
8,900¿ø (0%¡é)
Persuasion
7,150¿ø (20%¡é)
Hard Times (Penguin Classics)
7,500¿ø (16%¡é)
The Adventures of Huckleberry Finn (Penguin Classics)
:
7,150¿ø (20%¡é)
A Tale of Two Cities (Updated and REV) (Penguin Classics)
:
6,700¿ø (25%¡é)
Tess of the D'Urbervilles (Penguin Classics)
7,150¿ø (20%¡é)
Emma (Penguin Classics)
:
8,500¿ø (5%¡é)
GREAT EXPECTATIONS (PENGUIN CLASSIC)
:
8,900¿ø (0%¡é)
Middlemarch (Penguin Classics)
:
8,900¿ø (0%¡é)
Pride & Prejudice
6,500¿ø (27%¡é)
Pygmalion (Penguin Classics)
:
7,150¿ø (20%¡é)
Gulliver's Travels (Penguin Classics)
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8,900¿ø (0%¡é)
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This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England. A charming young English woman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson--who is entirely unsuitable and whose father just may be a Socialist--Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England she is courted by a more acceptable, if stifling, suitor, and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion. The enduring delight of this tale of romantic intrigue is rooted in Forster's colorful characters, including outrageous spinsters, pompous clergymen and outspoken patriots. Written in 1908, A Room With A View is one of E.M. Forster's earliest and most celebrated works.
Part 1 The Bertolini 1 In Santa Croce with No Baedeker 16 Music, Violets, and the Letter "S" 35 Fourth Chapter 49 Possibilities of a Pleasant Outing 57 The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them 73 They Return 88 Part 2 Mediaeval 105 Lucy as a Work of Art 124 Cecil as a Humourist 142 In Mrs. Vyse's Well-Appointed Flat 153 Twelfth Chapter 161 How Miss Bartlett's Boiler Was So Tiresome 173 How Miss Lucy Faced the External Situation Bravely 184 The Disaster Within 192 Lying to George 210 Lying to Cecil 221 Lying to Mr. Beebe, Mrs. Honeychurch, Freddy, and the Servants 229 Lying to Mr. Emerson 250 The End of the Middle Ages 271
Chapter One
The Bertolini The Signora had no business to do it," said Miss Bartlett, "no business at all. She promised us south rooms with a view close together, instead of which here are north rooms, looking into a courtyard, and a long way apart. Oh, Lucy!" "And a Cockney, besides!" said Lucy, who had been further saddened by the Signora's unexpected accent. "It might be London." She looked at the two rows of English people who were sitting at the table; at the row of white bottles of water and red bottles of wine that ran between the English people; at the portraits of the late Queen and the late Poet Laureate that hung behind the English people, heavily framed; at the notice of the English church (Rev. Cuthbert Eager, M.A. Oxon.), that was the only other decoration of the wall. "Charlotte, don't you feel, too, that we might be in London? I can hardly believe that all kinds of other things are just outside. I suppose it is one's being so tired." "This meat has surely been used for soup," said Miss Bartlett, laying down her fork. "I want so to see the Arno. The rooms the Signora promised us in her letter would have looked over the Arno. The Signora had no business to do it at all. Oh, it is a shame!" "Any nook does for me," Miss Bartlett continued; "but it does seem hard that you shouldn't have a view." Lucy felt that she had been selfish. "Charlotte, you mustn't spoil me: of course, you must look over the Arno, too. I meant that. The first vacant room in the front?" "You must have it," said MissBartlett, part of whose travelling expenses were paid by Lucy's mother?a piece of generosity to which she made many a tactful allusion. "No, no. You must have it." "I insist on it. Your mother would never forgive me, Lucy." "She would never forgive me." The ladies' voices grew animated and?if the sad truth be owned?a little peevish. They were tired, and under the guise of unselfishness they wrangled. Some of their neighbours interchanged glances, and one of them?one of the ill-bred people whom one does meet abroad?leant forward over the table and actually intruded into their argument. He said: "I have a view, I have a view." Miss Bartlett was startled. Generally at a pension people looked them over for a day or two before speaking, and often did not find out that they would "do" till they had gone. She knew that the intruder was ill-bred, even before she glanced at him. He was an old man, of heavy build, with a fair, shaven face and large eyes. There was something childish in those eyes, though it was not the childishness of senility. What exactly it was Miss Bartlett did not stop to consider, for her glance passed on to his clothes. These did not attract her. He was probably trying to become acquainted with them before they got into the swim. So she assumed a dazed expression when he spoke to her, and then said: "A view? Oh, a view! How delightful a view is!" "This is my son," said the old man; "his name's George. He has a view too." "
...
Ah," said Miss Bartlett, repressing Lucy, who was about to speak. "What I mean," he continued, "is that you can have our rooms, and we'll have yours. We'll change." The better class of tourist was shocked at this, and sympathized with the new-comers. Miss Bartlett, in reply, opened her mouth as little as possible, and said: "Thank you very much indeed; that is out of the question." "Why?" said the old man, with both fists on the table. "Because it is quite out of the question, thank you." "You see, we don't like to take?" began Lucy. Her cousin again repressed her.......
E. M. Forster [Àú]
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