>
>
>
Kyujanggak ¼¼Æ® 
±ÔÀå°¢Çѱ¹Çבּ¸¿ø ¤Ó ¾ÆÄ«³Ý
  • Á¤°¡
60,000¿ø
  • ÆǸŰ¡
54,000¿ø (10% ¡é, 6,000¿ø ¡é)
  • ¹ßÇàÀÏ
2011³â 01¿ù 01ÀÏ
  • ÆäÀÌÁö¼ö/Å©±â
500page/197*265*30
  • ISBN
9788957331958/8957331956
  • ¹è¼Ûºñ
¹«·á¹è¼Û
  • ¹è¼Û¿¹Á¤ÀÏ
05/17(±Ý) ¹è¼Û¿Ï·á¿¹Á¤
  • Çö º¸À¯Àç°í
100 ±Ç ÀÌ»ó
  • ÁÖ¹®¼ö·®
±Ç
  • ¹Ù·Î±¸¸Å ºÏÄ«Æ®´ã±â
  • Á¦ÈÞ¸ô ÁÖ¹® ½Ã °í°´º¸»ó, ÀϺΠÀ̺¥Æ® Âü¿© ¹× ÁõÁ¤Ç° ÁõÁ¤, ÇÏ·ç/´çÀÏ ¹è¼Û¿¡¼­ Á¦¿ÜµÇ¹Ç·Î Âü°í ¹Ù¶ø´Ï´Ù.
  • »ó¼¼Á¤º¸
  • ±ÔÀå°¢ÀÇ °ú°Å¿Í ÇöÀ縦 Æø³Ð°Ô µ¹¾Æº¸°í ±ÔÀå°¢¿¡ ¼ÒÀåµÈ Ã¥µéÀÇ ¿ª»çÀûÀÌ°í ¹®È­ÀûÀÎ Àǹ̸¦ µÇ¤¾îº¸°íÀÚ ¡°±ÔÀå°¢ÀÇ ¿ª»ç¿Í ¹®È­¡± ½Ã¸®ÁîÀÇ ¹ßÇà °èȹÀÌ 2008³â 9¿ù ¼ö¸³µÇ¾ú°í, ´õºÒ¾î ±ÔÀå°¢ÀÇ ¿ª»ç¿Í ¼ÒÀåÇ°À» ÀÌÇØÇÏ°íÀÚ ÇÏ´Â ¿Ü±¹ÀεéÀ» À§ÇÑ ¾È³»¼­ ¿ªÇÒÀ» ÇÒ ¿µ¹®Æǵµ ¹ßÇàÇϱâ·Î Çß´Ù. ÀÌ ¿µ¹®ÆÇÀº ±× °á½Ç·Î¼­, ´ë¿ìÀç´ÜÀÇ Áö¿øÀ» ¹Þ¾Æ ¾ÆÄ«³Ý¿¡¼­ ÃâÆǵǾú´Ù.
  • ±ÔÀå°¢ÀÇ °ú°Å¿Í ÇöÀ縦 Æø³Ð°Ô µ¹¾Æº¸°í ±ÔÀå°¢¿¡ ¼ÒÀåµÈ Ã¥µéÀÇ ¿ª»çÀûÀÌ°í ¹®È­ÀûÀÎ Àǹ̸¦ µÇ¤¾îº¸°íÀÚ "±ÔÀå°¢ÀÇ ¿ª»ç¿Í ¹®È­" ½Ã¸®ÁîÀÇ ¹ßÇà °èȹÀÌ 2008³â 9¿ù ¼ö¸³µÇ¾ú°í, ´õºÒ¾î ±ÔÀå°¢ÀÇ ¿ª»ç¿Í ¼ÒÀåÇ°À» ÀÌÇØÇÏ°íÀÚ ÇÏ´Â ¿Ü±¹ÀεéÀ» À§ÇÑ ¾È³»¼­ ¿ªÇÒÀ» ÇÒ ¿µ¹®Æǵµ ¹ßÇàÇϱâ·Î Çß´Ù. ÀÌ ¿µ¹®ÆÇÀº ±× °á½Ç·Î¼­, ´ë¿ìÀç´ÜÀÇ Áö¿øÀ» ¹Þ¾Æ ¾ÆÄ«³Ý¿¡¼­ ÃâÆǵǾú´Ù.

    It has been suggested that in order to clarify the duty and functions of Gyujanggak once again, we should take a comprehensive look upon the past and present of Gyujanggak and reevaluate the historical and cultural meaning of all the books currently in custody. So a plan for a series of publications entitled "The History and Culture of Gyujanggak" was established in September 2008, and a decision was made to publish English versions of the individual installments as well, as introduction pieces for foreign readers which would allow them to understand the history and collection of Gyujanggak. As part of such efforts, "Gyujanggak: Rediscovering its History and Culture" and "Gyujanggak and the Cultural History of Books" were published in August 2009, and now we present you with the English versions of those publications.

    For most people, the name Kyujanggak is immediately associated with the intrigues and splendor of the Joseon court, with venerable books and documents and the masterpieceof historical record keeping that is the "Veritable records of the Joseon dynasty". Unfortunately, however, beyond a small circle of specialists, most people are unaware of the sheer variety of documents and books that can be found here and the checkered history of this royal library. Kyujanggak reflects the late pre-modern and modern history of Korea, as it evolved from repository of royal writings to the centerpiece of Confucian statecraft, from imperial library of the Daehan empire to state of the art archive and research center. This series aims to introduce the collection to a wider audience, offering accessible yet accurate information on the collection and how it was formed. For the first time, it offers an English-speaking audience in-depth access to the treasures that can be found here and their cultural significance.
    Kyujanggak: Rediscovering its History and Culture is a historical overview of the development of Kyujanggak during the Joseon period(1392-1910). Originally intended only as a place to store writings by kings("Kyujang" is a term for royal compositions), in 1776 King Jeongjo reinvented it as a research institute to foster the mosttalented and dedicated scholar officials. Hence its collections expanded vastly, and at this time Kyujanggak also started to publish books. In the last years of the dynasty, it became the imperial library of the Daehan empire, and at this time many works on Western science and history were acquired. During the period of Japanese encroachment and colonization, more books were added from regional archives, and after liberation, the collection continued to expand through person...
  • 1±Ç Kyujanggak and the Cultural History of Books
    Part 1 The Creation and Circulation of Documents
    Part 2 The Accumulation and communication of Knowledge
    Part 3 The History and Culture of Kyujanggak
    Index

    2±Ç Kyujanggak Rediscovering its History and Culture
    Part 1 Kyujanggak in King Jeongjo's era
    Part 2 Historical changes during the reign of King Gojong and Kyujanggak
    Part 3 Kyujanggak in the Japanese Occupation period
    Part 4 Changes and Development Kyujanggak has gone through since 1945
    Part 5 The Important Materials at KyujanggakÀÌ »óÇ°Àº ¸ñÂ÷°¡ ¾ø½À´Ï´Ù.
  • ±ÔÀå°¢Çѱ¹Çבּ¸¿ø [Àú]
  • ±ÔÀå°¢Àº Á¶¼±ÀÇ 22´ë¿Õ Á¤Á¶°¡ ÁïÀ§ÇÑ ÇØ(1776)¿¡ óÀ½À¸·Î µµ¼­°üÀÌÀÚ ¿Õ¸³Çмú±â°üÀ¸·Î ¸¸µé¾îÁ® 135³â°£ ±â·Ï¹®È­¿Í Áö½ÄÀÇ º¸°íÜÄÍ··Î¼­ ±× ¿ªÇÒÀ» ´Ù ÇØ¿Ô´Ù. ±×·¯³ª 1910³â ¿ÕÁ¶ÀÇ ¸ê¸ÁÀ¸·Î ÆóÁöµÈ ÀÌÈÄ ±×Àú °í¹®Çå µµ¼­°üÀ¸·Î¼­¸¸ ¼ö½Ê¿© ³âÀ» ÁöÅÊÇØ¿Ô´Ù. 1990³â´ëºÎÅÍ ¼­¿ï´ëÇб³ ºÎ¼Ó±â°üÀÎ ±ÔÀå°¢À¸·Î¼­ ÀÚ·á Á¤¸®¿Í ¿¬±¸ »ç¾÷ÀÌ º»°ÝÀûÀ¸·Î ÀÌ·ç¾îÁö°Ô µÇ¾ú°í, â¼³ 230³âÀÌ µÇ´Â Áö³­ 2006³â¿¡ ±ÔÀå°¢Àº Çѱ¹¹®È­¿¬±¸¼Ò¿ÍÀÇ ÅëÇÕÀ» ÅëÇØ Çмú ¿¬±¸±â°üÀ¸·Î¼­ÀÇ ±â´ÉÀ» µÇ»ì·Á ±ÔÀå°¢Çѱ¹Çבּ¸¿øÀ¸·Î ´Ù½Ã ž´Ù. ±ÔÀå°¢Àº Á¶¼±¿ÕÁ¶½Ç·ÏÀ» ºñ·ÔÇØ ±¹º¸ ÁöÁ¤ °í¼­Àû, ÀÇ±Ë¿Í °°Àº À¯³×½ºÄÚ ÁöÁ¤ ¼¼°è±â·Ï¹®È­ À¯»ê, ±× ¿Ü¿¡µµ °í¹®¼­¡¤°íÁöµµ µî ´Ù¾çÇÑ ±â·Ï¹°À» º¸À¯ÇÏ°í À־ ¾ÆÄ«À̺ê Àüü°¡ ÇϳªÀÇ ±¹°¡¹®È­Àç¶ó°í Çصµ °ú¾ðÀÌ ¾Æ´Ï´Ù. °í¹®Çå¿¡ ´ã±ä ¹æ´ëÇÑ Áö½Ä°ú Á¤º¸¸¦ Åä´ë·Î ±×µ¿¾È Çѱ¹ÇÐ Àü¹®°¡µéÀÌ ¸ð¿© ÃÖ°í ¼öÁØÀÇ Çмú¿¬±¸¿¡ ¸ÅÁøÇØ¿Ô´Ù. ÃÖ±Ù¿¡´Â Áö¿ªÇÐÀ¸·Î¼­ÀÇ ÇѰ踦 ³Ñ¾î¼­ Çѱ¹ÇÐÀÇ ¼¼°èÈ­, ±×¸®°í Àü¹® ¿¬±¸ÀÚ¿¡ ±¹ÇѵÇÁö ¾Ê´Â ½Ã¹Î°ú ÇÔ²²ÇÏ´Â Çѱ¹ÇÐÀ¸·Î º¯½ÅÀ» ²ÒÇÏ°í ÀÖ´Ù.
    ÇмúÁö [Çѱ¹¹®È­], [±ÔÀå°¢], Seoul Journal of Korean Studies µîÀ» Æì³»°í ÀÖÀ¸¸ç [±ÔÀå°¢ ÀÚ·áÃѼ­], [Çѱ¹¹®È­¿¬±¸ÃѼ­], [Çѱ¹ÇÐ °øµ¿¿¬±¸ÃѼ­], [Çѱ¹ÇÐ ¸ð³ë±×·¡ÇÁ], [Çѱ¹ÇÐ ¿¬±¸ÃѼ­], [Çѱ¹ÇÐ ÀÚ·áÃѼ­] µî 900¿© Ã¥À» Æì³Â´Ù.
  • Àüü 0°³ÀÇ ±¸¸ÅÈıⰡ ÀÖ½À´Ï´Ù.

ÀÎÅÍÆÄÅ©µµ¼­´Â °í°´´ÔÀÇ ´Ü¼ø º¯½É¿¡ ÀÇÇÑ ±³È¯°ú ¹ÝÇ°¿¡ µå´Â ºñ¿ëÀº °í°´´ÔÀÌ ÁöºÒÄÉ µË´Ï´Ù.
´Ü, »óÇ°À̳ª ¼­ºñ½º ÀÚüÀÇ ÇÏÀÚ·Î ÀÎÇÑ ±³È¯ ¹× ¹ÝÇ°Àº ¹«·á·Î ¹ÝÇ° µË´Ï´Ù.
±³È¯ ¹× ¹ÝÇ°ÀÌ °¡´ÉÇÑ °æ¿ì
»óÇ°À» °ø±Þ ¹ÞÀº ³¯·ÎºÎÅÍ 7ÀÏÀ̳» °¡´É
°ø±Þ¹ÞÀ¸½Å »óÇ°ÀÇ ³»¿ëÀÌ Ç¥½Ã, ±¤°í ³»¿ë°ú ´Ù¸£°Å³ª ´Ù¸£°Ô ÀÌÇàµÈ °æ¿ì¿¡´Â °ø±Þ¹ÞÀº ³¯·ÎºÎÅÍ 3°³¿ù À̳»,
   ȤÀº ±×»ç½ÇÀ» ¾Ë°Ô µÈ ³¯ ¶Ç´Â ¾Ë ¼ö ÀÖ¾ú´ø ³¯·ÎºÎÅÍ 30ÀÏ À̳»
»óÇ°¿¡ ¾Æ¹«·± ÇÏÀÚ°¡ ¾ø´Â °æ¿ì ¼ÒºñÀÚÀÇ °í°´º¯½É¿¡ ÀÇÇÑ ±³È¯Àº »óÇ°ÀÇ Æ÷Àå»óÅ µîÀÌ ÀüÇô ¼Õ»óµÇÁö ¾ÊÀº °æ¿ì¿¡ ÇÑÇÏ¿© °¡´É
±³È¯ ¹× ¹ÝÇ°ÀÌ ºÒ°¡´ÉÇÑ °æ¿ì
±¸¸ÅÈ®Á¤ ÀÌÈÄ(¿ÀǸ¶ÄÏ»óÇ°¿¡ ÇÑÇÔ)
°í°´´ÔÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¸ê½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì
   (´Ü, »óÇ°ÀÇ ³»¿ëÀ» È®ÀÎÇϱâ À§ÇÏ¿© Æ÷Àå µîÀ» ÈѼÕÇÑ °æ¿ì´Â Á¦¿Ü)
½Ã°£ÀÌ Áö³²¿¡ µû¶ó ÀçÆǸŰ¡ °ï¶õÇÒ Á¤µµ·Î ¹°Ç°ÀÇ °¡Ä¡°¡ ¶³¾îÁø °æ¿ì
Æ÷Àå °³ºÀµÇ¾î »óÇ° °¡Ä¡°¡ ÈÑ¼ÕµÈ °æ¿ì
´Ù¹è¼ÛÁöÀÇ °æ¿ì ¹ÝÇ° ȯºÒ
´Ù¹è¼ÛÁöÀÇ °æ¿ì ´Ù¸¥ Áö¿ªÀÇ ¹ÝÇ°À» µ¿½Ã¿¡ ÁøÇàÇÒ ¼ö ¾ø½À´Ï´Ù.
1°³ Áö¿ªÀÇ ¹ÝÇ°ÀÌ ¿Ï·áµÈ ÈÄ ´Ù¸¥ Áö¿ª ¹ÝÇ°À» ÁøÇàÇÒ ¼ö ÀÖÀ¸¹Ç·Î, ÀÌÁ¡ ¾çÇØÇØ Áֽñ⠹ٶø´Ï´Ù.
Áß°í»óÇ°ÀÇ ±³È¯
Áß°í»óÇ°Àº Á¦ÇÑµÈ Àç°í ³»¿¡¼­ ÆǸŰ¡ ÀÌ·ç¾îÁö¹Ç·Î, ±³È¯Àº ºÒ°¡´ÉÇÕ´Ï´Ù.
¿ÀǸ¶ÄÏ »óÇ°ÀÇ È¯ºÒ
¿ÀǸ¶ÄÏ»óÇ°¿¡ ´ëÇÑ Ã¥ÀÓÀº ¿øÄ¢ÀûÀ¸·Î ¾÷ü¿¡°Ô ÀÖÀ¸¹Ç·Î, ±³È¯/¹ÝÇ° Á¢¼ö½Ã ¹Ýµå½Ã ÆǸÅÀÚ¿Í ÇùÀÇ ÈÄ ¹ÝÇ° Á¢¼ö¸¦ ÇϼžßÇϸç,
   ¹ÝÇ°Á¢¼ö ¾øÀÌ ¹Ý¼ÛÇϰųª, ¿ìÆíÀ¸·Î º¸³¾ °æ¿ì »óÇ° È®ÀÎÀÌ ¾î·Á¿ö ȯºÒÀÌ ºÒ°¡´ÉÇÒ ¼ö ÀÖÀ¸´Ï À¯ÀÇÇϽñ⠹ٶø´Ï´Ù.
¹è¼Û¿¹Á¤ÀÏ ¾È³»
ÀÎÅÍÆÄÅ© µµ¼­´Â ¸ðµç »óÇ°¿¡ ´ëÇØ ¹è¼Û¿Ï·á¿¹Á¤ÀÏÀ» À¥»çÀÌÆ®¿¡ Ç¥½ÃÇÏ°í ÀÖ½À´Ï´Ù.
<ÀÎÅÍÆÄÅ© Á÷¹è¼Û »óÇ°>
»óÇ°Àº ¿ù~Åä¿äÀÏ ¿ÀÀü 10½Ã ÀÌÀü ÁÖ¹®ºÐ¿¡ ´ëÇÏ¿© ´çÀÏ Ãâ°í/´çÀÏ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇÏ´Â »óÇ°ÀÔ´Ï´Ù.
»óÇ°Àº ¼­¿ïÁö¿ª/ÆòÀÏ ÁÖ¹®ºÐÀº ´çÀÏ Ãâ°í/ÀÍÀÏ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇϸç,
¼­¿ï¿ÜÁö¿ª/ÆòÀÏ ÁÖ¹®ºÐÀÇ °æ¿ì´Â ¿ÀÈÄ 6½Ã±îÁö ÁÖ¹®ºÐ¿¡ ´ëÇÏ¿© ÀÍÀÏ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇÏ´Â »óÇ°ÀÔ´Ï´Ù.
(´Ü, ¿ù¿äÀÏÀº 12½Ã±îÁö ÁÖ¹®¿¡ ÇÑÇÔ)
»óÇ°Àº, ÀÔ°í¿¹Á¤ÀÏ(Á¦Ç°Ãâ½ÃÀÏ)+Åùè»ç¹è¼ÛÀÏ(1ÀÏ)¿¡ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇÕ´Ï´Ù.
~ »óÇ°Àº À¯ÅëƯ¼º»ó ÀÎÅÍÆÄÅ©¿¡¼­ Àç°í¸¦ º¸À¯ÇÏÁö ¾ÊÀº »óÇ°À¸·Î
ÁÖ¹®ÀÏ+±âÁØÃâ°íÀÏ+Åùè»ç¹è¼ÛÀÏ(1ÀÏ)¿¡ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇÕ´Ï´Ù.(Åä/°øÈÞÀÏÀº ¹è¼Û±â°£¿¡ Æ÷ÇÔµÇÁö ¾Ê½À´Ï´Ù.)
¡Ø±âÁØÃâ°íÀÏ:ÀÎÅÍÆÄÅ©°¡ »óÇ°À» ¼ö±ÞÇÏ¿© ¹°·ùâ°í¿¡¼­ Æ÷Àå/Ãâ°íÇϱâ±îÁö ¼Ò¿äµÇ´Â ½Ã°£
<¾÷ü Á÷Á¢¹è¼Û/¿ÀǸ¶ÄÏ »óÇ°>
~ »óÇ°Àº ¾÷ü°¡ ÁÖ¹®À» È®ÀÎÇÏ°í, Ãâ°íÇϱâ±îÁö °É¸®´Â ½Ã°£ÀÔ´Ï´Ù.
ÁÖ¹®ÀÏ+±âÁØÃâ°íÀÏ+Åùè»ç¹è¼ÛÀÏ(2ÀÏ)¿¡ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇÕ´Ï´Ù.(Åä/°øÈÞÀÏÀº ¹è¼Û±â°£¿¡ Æ÷ÇÔµÇÁö ¾Ê½À´Ï´Ù.)
¡Ø5ÀÏÀ̳» Ãâ°í°¡ ½ÃÀÛµÇÁö ¾ÊÀ»½Ã, ¿ÀǸ¶ÄÏ »óÇ°Àº ÀÚµ¿À¸·Î ÁÖ¹®ÀÌ Ãë¼ÒµÇ¸ç, °í°´´Ô²² Ç°Àýº¸»ó±ÝÀ» Áö±ÞÇØ µå¸³´Ï´Ù.
¹è¼Ûºñ ¾È³»
µµ¼­(Áß°íµµ¼­ Æ÷ÇÔ)¸¸ ±¸¸ÅÇϽøé : ¹è¼Ûºñ 2,000¿ø (1¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)
À½¹Ý/DVD¸¸ ±¸¸ÅÇϽøé : ¹è¼Ûºñ 1,500¿ø (2¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)
ÀâÁö/¸¸È­/±âÇÁÆ®¸¸ ±¸¸ÅÇϽøé : ¹è¼Ûºñ 2,000¿ø (2¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)
µµ¼­¿Í À½¹Ý/DVD¸¦ ÇÔ²² ±¸¸ÅÇϽøé : ¹è¼Ûºñ 1,500¿ø 1¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)
µµ¼­¿Í ÀâÁö/¸¸È­/±âÇÁÆ®/Áß°íÁ÷¹è¼Û»óÇ°À» ÇÔ²² ±¸¸ÅÇϽøé : 2,000¿ø (1¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)
¾÷üÁ÷Á¢¹è¼Û»óÇ°À» ±¸¸Å½Ã : ¾÷üº°·Î »óÀÌÇÑ ¹è¼Ûºñ Àû¿ë

   * ¼¼Æ®»óÇ°ÀÇ °æ¿ì ºÎºÐÃë¼Ò ½Ã Ãß°¡ ¹è¼Ûºñ°¡ ºÎ°úµÉ ¼ö ÀÖ½À´Ï´Ù.
   * ºÏÄ«Æ®¿¡¼­ ¹è¼Ûºñ¾ø¾Ö±â ¹öÆ°À» Ŭ¸¯Çϼż­, µ¿ÀϾ÷ü»óÇ°À» Á¶±Ý ´õ ±¸¸ÅÇϽøé, ¹è¼Ûºñ¸¦ Àý¾àÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.
Çؿܹè¼Û ¾È³»
ÀÎÅÍÆÄÅ©µµ¼­¿¡¼­´Â ±¹³»¿¡¼­ ÁÖ¹®ÇϽðųª ÇØ¿Ü¿¡¼­ ÁÖ¹®ÇÏ¿© ÇØ¿Ü·Î ¹è¼ÛÀ» ¿øÇÏ½Ç °æ¿ì DHL°ú Ư¾àÀ¸·Î Ã¥Á¤µÈ ¿ä±ÝÇ¥¿¡
   ÀÇÇØ °³ÀÎÀÌ ÀÌ¿ëÇÏ´Â °æ¿ìº¸´Ù ¹è¼Û¿ä±ÝÀ» Å©°Ô ³·Ã߸ç DHL(www.dhl.co.kr)·Î Çؿܹè¼Û ¼­ºñ½º¸¦ Á¦°øÇÕ´Ï´Ù.
Çؿܹè¼ÛÀº µµ¼­/CD/DVD »óÇ°¿¡ ÇÑÇØ ¼­ºñ½ºÇÏ°í ÀÖÀ¸¸ç, ´Ù¸¥ »óÇ°À» ºÏÄ«Æ®¿¡ ÇÔ²² ´ãÀ¸½Ç °æ¿ì Çؿܹè¼ÛÀÌ ºÒ°¡ÇÕ´Ï´Ù.
ÇØ¿ÜÁÖ¹®¹è¼Û ¼­ºñ½º´Â ÀÎÅÍÆÄÅ© µµ¼­ ȸ¿ø °¡ÀÔÀ» Çϼž߸¸ ½Åû °¡´ÉÇÕ´Ï´Ù.
¾Ë¾ÆµÎ¼¼¿ä!!!
µµ¸Å»ó ¹× Á¦ÀÛ»ç »çÁ¤¿¡ µû¶ó Ç°Àý/ÀýÆÇ µîÀÇ »çÀ¯·Î Ãë¼ÒµÉ ¼ö ÀÖ½À´Ï´Ù.
¿ÀǸ¶ÄϾ÷üÀÇ ¹è¼ÛÁö¿¬½Ã ÁÖ¹®ÀÌ ÀÚµ¿À¸·Î Ãë¼ÒµÉ ¼ö ÀÖ½À´Ï´Ù.
Ãâ°í°¡´É ½Ã°£ÀÌ ¼­·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.
À¯ÅëÀÇ Æ¯¼º»ó Ãâ°í±â°£Àº ¿¹Á¤º¸´Ù ¾Õ´ç°ÜÁö°Å³ª ´ÊÃçÁú ¼ö ÀÖ½À´Ï´Ù.
Åùè»ç ¹è¼ÛÀÏÀÎ ¼­¿ï ¹× ¼öµµ±ÇÀº 1~2ÀÏ, Áö¹æÀº 2~3ÀÏ, µµ¼­, »ê°£, ±ººÎ´ë´Â 3ÀÏ ÀÌ»óÀÇ ½Ã°£ÀÌ ¼Ò¿äµË´Ï´Ù.
  • 0°³
  • 0°³