>
>
The Coming Wave : Technology, Power, and the Twenty-First Century's Greatest Dilemma
¸¶ÀÌŬ ¹Ù½ºÄ« ¤Ó Crown Publishing Group (NY)
  • Á¤°¡
44,450¿ø
  • ÆǸŰ¡
43,120¿ø (3% ¡é, 1,330¿ø ¡é)
  • ¹ßÇàÀÏ
2023³â 10¿ù 17ÀÏ
  • ÆäÀÌÁö¼ö/Å©±â/¹«°Ô
352page/156*236*30/612g
  • ISBN
9780593593950/0593593952
  • ¹è¼Ûºñ
¹«·á¹è¼Û
  • ¹è¼Û¿¹Á¤ÀÏ
04/30(È­) ¹è¼Û¿Ï·á¿¹Á¤
  • Çö º¸À¯Àç°í
100 ±Ç ÀÌ»ó
  • ÁÖ¹®¼ö·®
±Ç
  • ¹Ù·Î±¸¸Å ºÏÄ«Æ®´ã±â
  • Á¦ÈÞ¸ô ÁÖ¹® ½Ã °í°´º¸»ó, ÀϺΠÀ̺¥Æ® Âü¿© ¹× ÁõÁ¤Ç° ÁõÁ¤, ÇÏ·ç/´çÀÏ ¹è¼Û¿¡¼­ Á¦¿ÜµÇ¹Ç·Î Âü°í ¹Ù¶ø´Ï´Ù.
  • »ó¼¼Á¤º¸
  • ¡°A heartfelt and candid exploration of what the future may hold for us . . . Eloquently articulated. Reading [The Coming Wave], what came to mind was Gramsci¡¯s famous adage that what we need is ¡®pessimism of the intellect, optimism of the will.¡¯ To his great credit, [Mustafa] Suleyman has both.¡±¡ªThe Guardian ¡°Dazzling . . . You have by now read a great deal of both hype and doom-mongering on the subject [of AI]. But Suleyman¡¯s is the book you cannot afford not to read. . . . Brilliant.¡±¡ªNiall Ferguson, Bloomberg ¡°Brilliant . . . confronts what may be the most crucial question of our century: How can we ensure that the breathtaking, fast-paced technological revolutions ahead create the world we want?¡±¡ªEric Lander, founding director, Broad Institute of MIT and Harvard ¡°An erudite, clear-eyed guide both to the history of radical technological change and to the deep political challenges that lie ahead.¡±¡ªAnne Applebaum, Pulitzer Prize£¿winning historian ¡°Extraordinary . . . utterly unmissable.¡±¡ªEric Schmidt, former CEO, Google ¡°Calm, pragmatic, and deeply ethical . . . enthralling reading.¡±¡ªAngela Kane, former UN under-secretary-general ¡°Sharp, compassionate, and uncompromising.¡±¡ªQi Lu, former COO, Baidu; former EVP, Microsoft Bing ¡°Truly remarkable, ambitious, and impossible to ignore . . . a persuasively argued tour de force.¡±¡ªNouriel Roubini, professor emeritus, New York University ¡°A practical and optimistic road map.¡±¡ªStuart Russell, professor of computer science, University of California, Berkeley ¡°A panoramic survey and a clarion call to action . . . Everyone should read it.¡±¡ªFei-Fei Li, co-director, Stanford¡¯s Institute for Human-Centered AI ¡°A brave wake-up call . . . indispensable reading.¡±¡ªTristan Harris, co-founder, Center for Humane Technology ¡°An extraordinary and necessary book . . . One leaves energized and thrilled to be alive right now.¡±¡ªAlain de Botton, philosopher and bestselling author ¡°Deeply researched and highly relevant.¡±¡ªAl Gore, former Vice President of the United States ¡°Read this essential book to understand the pace and scale of these technologies.¡±¡ªIan Bremmer, founder, Eurasia Group and bestselling author of The Power of Crisis ¡°A much-needed dose of specificity, realism, and clarity.¡±¡ªMartha Minow, professor, Harvard Law School ¡°Incredibly compelling.¡±¡ªBruce Schneier, security technologist and bestselling author of A Hacker¡¯s Mind ¡°Thought-provoking, urgent and written in powerful, highly accessible prose.¡±¡ªErik Brynjolfsson, Director of the Stanford Digital Economy Lab ¡°Deeply rewarding and consistently astonishing.¡±¡ªStephen Fry, actor, broadcaster and bestselling author ¡°Realistic, deeply informed, and highly accessible.¡±¡ªJack Goldsmith, Learned Hand Professor of Law, Harvard University ¡°A strikingly lucid and refreshingly balanced account of our current technological predicament.¡±¡ªKevin Esvelt, biologist and associate professor, MIT Media Lab ¡°The Coming Wave is a masterpiece and a must-read for e...
  • The Containment Problem Revenge Effects Alan Turing and Gordon Moore could never have predicted, let alone altered the rise of, social media, memes, Wikipedia, or cyberattacks. Decades after their invention, the architects of the atomic bomb could no more stop a nuclear war than Henry Ford could stop a car accident. Technology¡¯s unavoidable challenge is that its makers quickly lose control over the path their inventions take once introduced to the world. Technology exists in a complex, dynamic system (the real world), where second-, third-, and nth-order consequences ripple out unpredictably. What on paper looks flawless can behave differently out in the wild, especially when copied and further adapted downstream. What people actually do with your invention, however well intentioned, can never be guaranteed. Thomas Edison invented the phonograph so people could record their thoughts for posterity and to help the blind. He was horrified when most people just wanted to play music. Alfred Nobel intended his explosives to be used only in mining and railway construction. Gutenberg just wanted to make money printing Bibles. Yet his press catalyzed the Scientific Revolution and the Reformation, and so became the greatest threat to the Catholic Church since its establishment. Fridge makers didn¡¯t aim to create a hole in the ozone layer with chlorofluorocarbons (CFCs), just as the creators of the internal combustion and jet engines had no thought of melting the ice caps. In fact early enthusiasts for automobiles argued for their environmental benefits: engines would rid the streets of mountains of horse dung that spread dirt and disease across urban areas. They had no conception of global warming. Understanding technology is, in part, about trying to understand its unintended consequences, to predict not just positive spillovers but ¡°revenge effects.¡± Quite simply, any technology is capable of going wrong, often in ways that directly contradict its original purpose. Think of the way that prescription opioids have created dependence, or how the overuse of antibiotics renders them less effective, or how the proliferation of satellites and debris known as ¡°space junk¡± imperils spaceflight. As technology proliferates, more people can use it, adapt it, shape it however they like, in chains of causality beyond any individual¡¯s comprehension. As the power of our tools grows exponentially and as access to them rapidly increases, so do the potential harms, an unfolding labyrinth of consequences that no one can fully predict or forestall. One day someone is writing equations on a blackboard or fiddling with a prototype in the garage, work seemingly irrelevant to the wider world. Within decades, it has produced existential questions for humanity. As we have built systems of increasing power, this aspect of technology has felt more and more pressing to me. How do we guarantee that this new wave of technologies does more good than harm? Technology¡¯s problem her...
  • ¸¶ÀÌŬ ¹Ù½ºÄ« [Àú]
  • ÀÛ°¡ÀÌÀÚ ¿¬±¸ÀÚ, µðÁöÅÐ ÃâÆÇÀÎ, Ä«³Ú·Î(Canelo) ÃâÆÇ»çÀÇ °øµ¿Ã¢¾÷ÀÚ´Ù. ¼¼°è ÃÖ°íÀÇ AI ¿¬±¸¼ÒÀÎ ±¸±Û µö¸¶Àεå(DeepMind)¿¡¼­ Àü¼ÓÀÛ°¡·Î ÀÏÇϸç ÄÁ¼³ÆÃÀ» ÇßÀ¸¸ç, ¹Ìµð¾îÀÇ ¹Ì·¡¿Í âÀÇÀûÀÎ »ê¾÷, ±×¸®°í ½Å¹®, ¸Å°ÅÁø, ºí·Î±×¸¦ À§ÇÑ ±â¼úÀÇ °æÁ¦Çп¡ ´ëÇÏ¿© Æø³ÐÀº Àú¼úÈ°µ¿°ú °­¿¬À» ÇÏ°í ÀÖ´Ù. ¡¶°¡µð¾ð(Guardian)¡·, ¡¶ÆÄÀ̳½¼È ŸÀÓ½º(Financial Times)¡·, ¡¶µ¥Àϸ® ÅÚ·¹±×·¡ÇÁ(Daily Telegraph)¡· µîÀÇ ÇÊÁøÀ¸·Î È°¾àÇÏ°í ÀÖÀ¸¸ç, BBC 2, BBC ¶óµð¿À 4, NPR, ºí·ë¹ö±×(Bloomberg) TV µî¿¡µµ Ã⿬ÇÏ°í ÀÖ´Ù. ¿µ±¹¹®È­¿ø(British Council)¿¡¼­ ÀþÀº âÀÇÀû ±â¾÷°¡(Young Creative Entrepreneur)·Î ¼±Á¤µÇ¾ú°í, ÇÁ¶ûũǪ¸£Æ® µµ¼­Àü(Frankfurt Book Fair)ÀÇ ¿¬»ç·Îµµ Âü¿©Çß´Ù. ÁöÀº Ã¥À¸·Î´Â ¡¶Å¥·¹À̼Ç(Curation)¡·, ¡¶ÄÜÅÙÃ÷ ¸Ó½Å(The Content Machine)¡·, ¡¶¿Á½ºÆÛµå ÇÚµåºÏ, ÃâÆÇ(Oxford Handbook of Publishing)¡·(°øÀú) µîÀÌ ÀÖ´Ù.
  • Àüü 0°³ÀÇ ±¸¸ÅÈıⰡ ÀÖ½À´Ï´Ù.

ÀÎÅÍÆÄÅ©µµ¼­´Â °í°´´ÔÀÇ ´Ü¼ø º¯½É¿¡ ÀÇÇÑ ±³È¯°ú ¹ÝÇ°¿¡ µå´Â ºñ¿ëÀº °í°´´ÔÀÌ ÁöºÒÄÉ µË´Ï´Ù.
´Ü, »óÇ°À̳ª ¼­ºñ½º ÀÚüÀÇ ÇÏÀÚ·Î ÀÎÇÑ ±³È¯ ¹× ¹ÝÇ°Àº ¹«·á·Î ¹ÝÇ° µË´Ï´Ù.
±³È¯ ¹× ¹ÝÇ°ÀÌ °¡´ÉÇÑ °æ¿ì
»óÇ°À» °ø±Þ ¹ÞÀº ³¯·ÎºÎÅÍ 7ÀÏÀ̳» °¡´É
°ø±Þ¹ÞÀ¸½Å »óÇ°ÀÇ ³»¿ëÀÌ Ç¥½Ã, ±¤°í ³»¿ë°ú ´Ù¸£°Å³ª ´Ù¸£°Ô ÀÌÇàµÈ °æ¿ì¿¡´Â °ø±Þ¹ÞÀº ³¯·ÎºÎÅÍ 3°³¿ù À̳»,
   ȤÀº ±×»ç½ÇÀ» ¾Ë°Ô µÈ ³¯ ¶Ç´Â ¾Ë ¼ö ÀÖ¾ú´ø ³¯·ÎºÎÅÍ 30ÀÏ À̳»
»óÇ°¿¡ ¾Æ¹«·± ÇÏÀÚ°¡ ¾ø´Â °æ¿ì ¼ÒºñÀÚÀÇ °í°´º¯½É¿¡ ÀÇÇÑ ±³È¯Àº »óÇ°ÀÇ Æ÷Àå»óÅ µîÀÌ ÀüÇô ¼Õ»óµÇÁö ¾ÊÀº °æ¿ì¿¡ ÇÑÇÏ¿© °¡´É
±³È¯ ¹× ¹ÝÇ°ÀÌ ºÒ°¡´ÉÇÑ °æ¿ì
±¸¸ÅÈ®Á¤ ÀÌÈÄ(¿ÀǸ¶ÄÏ»óÇ°¿¡ ÇÑÇÔ)
°í°´´ÔÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¸ê½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì
   (´Ü, »óÇ°ÀÇ ³»¿ëÀ» È®ÀÎÇϱâ À§ÇÏ¿© Æ÷Àå µîÀ» ÈѼÕÇÑ °æ¿ì´Â Á¦¿Ü)
½Ã°£ÀÌ Áö³²¿¡ µû¶ó ÀçÆǸŰ¡ °ï¶õÇÒ Á¤µµ·Î ¹°Ç°ÀÇ °¡Ä¡°¡ ¶³¾îÁø °æ¿ì
Æ÷Àå °³ºÀµÇ¾î »óÇ° °¡Ä¡°¡ ÈÑ¼ÕµÈ °æ¿ì
´Ù¹è¼ÛÁöÀÇ °æ¿ì ¹ÝÇ° ȯºÒ
´Ù¹è¼ÛÁöÀÇ °æ¿ì ´Ù¸¥ Áö¿ªÀÇ ¹ÝÇ°À» µ¿½Ã¿¡ ÁøÇàÇÒ ¼ö ¾ø½À´Ï´Ù.
1°³ Áö¿ªÀÇ ¹ÝÇ°ÀÌ ¿Ï·áµÈ ÈÄ ´Ù¸¥ Áö¿ª ¹ÝÇ°À» ÁøÇàÇÒ ¼ö ÀÖÀ¸¹Ç·Î, ÀÌÁ¡ ¾çÇØÇØ Áֽñ⠹ٶø´Ï´Ù.
Áß°í»óÇ°ÀÇ ±³È¯
Áß°í»óÇ°Àº Á¦ÇÑµÈ Àç°í ³»¿¡¼­ ÆǸŰ¡ ÀÌ·ç¾îÁö¹Ç·Î, ±³È¯Àº ºÒ°¡´ÉÇÕ´Ï´Ù.
¿ÀǸ¶ÄÏ »óÇ°ÀÇ È¯ºÒ
¿ÀǸ¶ÄÏ»óÇ°¿¡ ´ëÇÑ Ã¥ÀÓÀº ¿øÄ¢ÀûÀ¸·Î ¾÷ü¿¡°Ô ÀÖÀ¸¹Ç·Î, ±³È¯/¹ÝÇ° Á¢¼ö½Ã ¹Ýµå½Ã ÆǸÅÀÚ¿Í ÇùÀÇ ÈÄ ¹ÝÇ° Á¢¼ö¸¦ ÇϼžßÇϸç,
   ¹ÝÇ°Á¢¼ö ¾øÀÌ ¹Ý¼ÛÇϰųª, ¿ìÆíÀ¸·Î º¸³¾ °æ¿ì »óÇ° È®ÀÎÀÌ ¾î·Á¿ö ȯºÒÀÌ ºÒ°¡´ÉÇÒ ¼ö ÀÖÀ¸´Ï À¯ÀÇÇϽñ⠹ٶø´Ï´Ù.
¹è¼Û¿¹Á¤ÀÏ ¾È³»
ÀÎÅÍÆÄÅ© µµ¼­´Â ¸ðµç »óÇ°¿¡ ´ëÇØ ¹è¼Û¿Ï·á¿¹Á¤ÀÏÀ» À¥»çÀÌÆ®¿¡ Ç¥½ÃÇÏ°í ÀÖ½À´Ï´Ù.
<ÀÎÅÍÆÄÅ© Á÷¹è¼Û »óÇ°>
»óÇ°Àº ¿ù~Åä¿äÀÏ ¿ÀÀü 10½Ã ÀÌÀü ÁÖ¹®ºÐ¿¡ ´ëÇÏ¿© ´çÀÏ Ãâ°í/´çÀÏ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇÏ´Â »óÇ°ÀÔ´Ï´Ù.
»óÇ°Àº ¼­¿ïÁö¿ª/ÆòÀÏ ÁÖ¹®ºÐÀº ´çÀÏ Ãâ°í/ÀÍÀÏ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇϸç,
¼­¿ï¿ÜÁö¿ª/ÆòÀÏ ÁÖ¹®ºÐÀÇ °æ¿ì´Â ¿ÀÈÄ 6½Ã±îÁö ÁÖ¹®ºÐ¿¡ ´ëÇÏ¿© ÀÍÀÏ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇÏ´Â »óÇ°ÀÔ´Ï´Ù.
(´Ü, ¿ù¿äÀÏÀº 12½Ã±îÁö ÁÖ¹®¿¡ ÇÑÇÔ)
»óÇ°Àº, ÀÔ°í¿¹Á¤ÀÏ(Á¦Ç°Ãâ½ÃÀÏ)+Åùè»ç¹è¼ÛÀÏ(1ÀÏ)¿¡ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇÕ´Ï´Ù.
~ »óÇ°Àº À¯ÅëƯ¼º»ó ÀÎÅÍÆÄÅ©¿¡¼­ Àç°í¸¦ º¸À¯ÇÏÁö ¾ÊÀº »óÇ°À¸·Î
ÁÖ¹®ÀÏ+±âÁØÃâ°íÀÏ+Åùè»ç¹è¼ÛÀÏ(1ÀÏ)¿¡ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇÕ´Ï´Ù.(Åä/°øÈÞÀÏÀº ¹è¼Û±â°£¿¡ Æ÷ÇÔµÇÁö ¾Ê½À´Ï´Ù.)
¡Ø±âÁØÃâ°íÀÏ:ÀÎÅÍÆÄÅ©°¡ »óÇ°À» ¼ö±ÞÇÏ¿© ¹°·ùâ°í¿¡¼­ Æ÷Àå/Ãâ°íÇϱâ±îÁö ¼Ò¿äµÇ´Â ½Ã°£
<¾÷ü Á÷Á¢¹è¼Û/¿ÀǸ¶ÄÏ »óÇ°>
~ »óÇ°Àº ¾÷ü°¡ ÁÖ¹®À» È®ÀÎÇÏ°í, Ãâ°íÇϱâ±îÁö °É¸®´Â ½Ã°£ÀÔ´Ï´Ù.
ÁÖ¹®ÀÏ+±âÁØÃâ°íÀÏ+Åùè»ç¹è¼ÛÀÏ(2ÀÏ)¿¡ ¹è¼Û¿Ï·á¸¦ º¸ÀåÇÕ´Ï´Ù.(Åä/°øÈÞÀÏÀº ¹è¼Û±â°£¿¡ Æ÷ÇÔµÇÁö ¾Ê½À´Ï´Ù.)
¡Ø5ÀÏÀ̳» Ãâ°í°¡ ½ÃÀÛµÇÁö ¾ÊÀ»½Ã, ¿ÀǸ¶ÄÏ »óÇ°Àº ÀÚµ¿À¸·Î ÁÖ¹®ÀÌ Ãë¼ÒµÇ¸ç, °í°´´Ô²² Ç°Àýº¸»ó±ÝÀ» Áö±ÞÇØ µå¸³´Ï´Ù.
¹è¼Ûºñ ¾È³»
µµ¼­(Áß°íµµ¼­ Æ÷ÇÔ)¸¸ ±¸¸ÅÇϽøé : ¹è¼Ûºñ 2,000¿ø (1¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)
À½¹Ý/DVD¸¸ ±¸¸ÅÇϽøé : ¹è¼Ûºñ 1,500¿ø (2¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)
ÀâÁö/¸¸È­/±âÇÁÆ®¸¸ ±¸¸ÅÇϽøé : ¹è¼Ûºñ 2,000¿ø (2¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)
µµ¼­¿Í À½¹Ý/DVD¸¦ ÇÔ²² ±¸¸ÅÇϽøé : ¹è¼Ûºñ 1,500¿ø 1¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)
µµ¼­¿Í ÀâÁö/¸¸È­/±âÇÁÆ®/Áß°íÁ÷¹è¼Û»óÇ°À» ÇÔ²² ±¸¸ÅÇϽøé : 2,000¿ø (1¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)
¾÷üÁ÷Á¢¹è¼Û»óÇ°À» ±¸¸Å½Ã : ¾÷üº°·Î »óÀÌÇÑ ¹è¼Ûºñ Àû¿ë

   * ¼¼Æ®»óÇ°ÀÇ °æ¿ì ºÎºÐÃë¼Ò ½Ã Ãß°¡ ¹è¼Ûºñ°¡ ºÎ°úµÉ ¼ö ÀÖ½À´Ï´Ù.
   * ºÏÄ«Æ®¿¡¼­ ¹è¼Ûºñ¾ø¾Ö±â ¹öÆ°À» Ŭ¸¯Çϼż­, µ¿ÀϾ÷ü»óÇ°À» Á¶±Ý ´õ ±¸¸ÅÇϽøé, ¹è¼Ûºñ¸¦ Àý¾àÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.
Çؿܹè¼Û ¾È³»
ÀÎÅÍÆÄÅ©µµ¼­¿¡¼­´Â ±¹³»¿¡¼­ ÁÖ¹®ÇϽðųª ÇØ¿Ü¿¡¼­ ÁÖ¹®ÇÏ¿© ÇØ¿Ü·Î ¹è¼ÛÀ» ¿øÇÏ½Ç °æ¿ì DHL°ú Ư¾àÀ¸·Î Ã¥Á¤µÈ ¿ä±ÝÇ¥¿¡
   ÀÇÇØ °³ÀÎÀÌ ÀÌ¿ëÇÏ´Â °æ¿ìº¸´Ù ¹è¼Û¿ä±ÝÀ» Å©°Ô ³·Ã߸ç DHL(www.dhl.co.kr)·Î Çؿܹè¼Û ¼­ºñ½º¸¦ Á¦°øÇÕ´Ï´Ù.
Çؿܹè¼ÛÀº µµ¼­/CD/DVD »óÇ°¿¡ ÇÑÇØ ¼­ºñ½ºÇÏ°í ÀÖÀ¸¸ç, ´Ù¸¥ »óÇ°À» ºÏÄ«Æ®¿¡ ÇÔ²² ´ãÀ¸½Ç °æ¿ì Çؿܹè¼ÛÀÌ ºÒ°¡ÇÕ´Ï´Ù.
ÇØ¿ÜÁÖ¹®¹è¼Û ¼­ºñ½º´Â ÀÎÅÍÆÄÅ© µµ¼­ ȸ¿ø °¡ÀÔÀ» Çϼž߸¸ ½Åû °¡´ÉÇÕ´Ï´Ù.
¾Ë¾ÆµÎ¼¼¿ä!!!
µµ¸Å»ó ¹× Á¦ÀÛ»ç »çÁ¤¿¡ µû¶ó Ç°Àý/ÀýÆÇ µîÀÇ »çÀ¯·Î Ãë¼ÒµÉ ¼ö ÀÖ½À´Ï´Ù.
¿ÀǸ¶ÄϾ÷üÀÇ ¹è¼ÛÁö¿¬½Ã ÁÖ¹®ÀÌ ÀÚµ¿À¸·Î Ãë¼ÒµÉ ¼ö ÀÖ½À´Ï´Ù.
Ãâ°í°¡´É ½Ã°£ÀÌ ¼­·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.
À¯ÅëÀÇ Æ¯¼º»ó Ãâ°í±â°£Àº ¿¹Á¤º¸´Ù ¾Õ´ç°ÜÁö°Å³ª ´ÊÃçÁú ¼ö ÀÖ½À´Ï´Ù.
Åùè»ç ¹è¼ÛÀÏÀÎ ¼­¿ï ¹× ¼öµµ±ÇÀº 1~2ÀÏ, Áö¹æÀº 2~3ÀÏ, µµ¼­, »ê°£, ±ººÎ´ë´Â 3ÀÏ ÀÌ»óÀÇ ½Ã°£ÀÌ ¼Ò¿äµË´Ï´Ù.
  • 0°³
  • 0°³