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• ▶ 이 책은 건축설계를 다룬 작품서입니다. 다양한 작품들을 통해 건축설계를 알 수 있도록 구성했습니다.
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• If you were around universities in the 1980s, you'll recall a lot of back-and-forth on the topic of "center" and "periphery". One interesting question would often come up: where did Japan fit in all this? Or, more accurately: where was Tokyo-center or periphery? Japan's capital always had this sense of scaling strangely. At the end of the Cold War, Europe and the US piloted the world to a degree that seems unthinkable today-but even as Japan was on the edge of all that political action, its capital city, Tokyo, was fixed firmly within a tiny trio of global centers with international financial, industrial and cultural impact, along with London and New York. Tokyo was a major force, changing everyone's music-even changing how we listened. Changing our cars, fashion, art, architecture. Japan's infrastructure for its influential architecture was pretty much entirely concentrated in Tokyo. By the 1980s, dominant construction contractors-even Takenaka, rooted in Japan's second city of Osaka for centuries-found it necessary to have a strong presence in the capital. Preeminent design professionals of every sort clustered in Tokyo, too: architects, structural engineers, lighting consultants. Part of Tadao Ando's reputation as a headstrong outsider was simply due to the fact that he remained a long way away from Tokyo, working in his hometown of Osaka. Japan's media, its architecture magazines and leading television production, too, was in the capital. There emerged an awkward gap. Tokyo was a global player, set in an inward-oriented nation still strongly aware of the value of tenacious traditions. This split fed dramatic tensions between the sprawling city and the countryside beyond the capital. It sometimes seemed that Tokyo's architects had greater influence in cities like San Francisco and Sydney than in Sendai and Sapporo. You can see the same situation in other places today-Seoul, say. A strong center out of step with people on the periphery. In 1980s Japan things many people loved seemed to be of little importance to the architects who were the country's leading lights. People in second-tier cities and small towns still slept on tatami floors and scrubbed their cemeteries on Obon, while Tokyoites flew off to foreign nations for quick, exotic trips. Roof thatch and careful carpentry lined rural roads, not even legal for the streetfronts of big cities.
  - Text by Dana Buntrock
  
  Katsuhiro MIYAMOTO
  
  1961 Born in Hyogo Prefecture
  1984 Bachelors of Architecture, University of Tokyo
  1987 Masters of Architecture, University of Tokyo
  1988 Established Atelier Cinquieme Architects
  1995 Associate Professor, Department of Architecture, Osaka University of Arts
  2002 Reorganized to Katsuhiro Miyamoto & Associates
  2008 Professor, Graduate School of Engineering and Urban Research Plaza, Osaka City University
  
  Major Awards
  2010 Excellent Prize, Renovation Proposal for Ichihara City Art Museum "Water and Sculpture Hills", JAPAN
  2010 Grand Prize, Japan Federation of Arc...hitects & Building Engineers Association Awards, JAPAN [Chushin-ji Temple Priest's Quarters]
  2011 Annual Architectural Design Commendation by Architectural Institute of Japan, JAPAN [Chushin-ji Temple Priest's Quarters]
  2012 Grand Prize, AICHI-MACHINAMI Architectural Award, JAPAN [bird house]
  2001, 03, 04, 07, 08 Good Design Awards, JAPAN ["House Surgery"] [SH@64] [KURAKUEN] [SoHo] [KURAKUEN addition] [SHIP] [CLOVER HOUSE]
  2002, 04, 05, 08, 10, 11, 12 Selected Architectural Designs of the Architectural Institute of Japan, JAPAN ["House Surgery"] [KURAKUEN] [SoHo] [grappa] [CLOVER HOUSE] [between] [Chushin-ji Temple Priest's Quarters] [birdhouse]
  2005, 06, 07, 08, 10, 11 Japan Institute of Architects Selected Works, JAPAN [KURAKUEN] [SUGARUKARAHAFU] [SoHo] [KURAKUEN addition] [SHIP] [grappa] [CLOVER HOUSE] ["HANKAI" HOUSE] [Chushin-ji Temple Priest's Quarters] [gather] [birdhouse]
  
  Major Publication written in English
  2010 "Grown" flick studio (JAPAN)
  2011 "Twelve houses restored in Japan and Italy" ARACNE (ITALY)
  2011 "KANSAI6" Equal Books (KOREA)
  2012 "Katsuhiro Miyamoto" Libria (ITALY)If you were around universities in the 1980s, you’ll recall a lot of back-and-forth on the topic of “center” and “periphery”. One interesting question would often come up: where did Japan fit in all this? Or, more accurately: where was Tokyoㅡcenter or periphery? Japan’s capital always had this sense of scaling strangely. At the end of the Cold War, Europe and the US piloted the world to a degree that seems unthinkable todayㅡbut even as Japan was on the edge of all that political action, its capital city, Tokyo, was fixed firmly within a tiny trio of global centers with international financial, industrial and cultural impact, along with London and New York. Tokyo was a major force, changing everyone’s musicㅡeven changing how we listened. Changing our cars, fashion, art, architecture. Japan’s infrastructure for its influential architecture was pretty much entirely concentrated in Tokyo. By the 1980s, dominant construction contractorsㅡeven Takenaka, rooted in Japan’s second city of Osaka for centuriesㅡfound it necessary to have a strong presence in the capital. Preeminent design professionals of every sort clustered in Tokyo, too: architects, structural engineers, lighting consultants. Part of Tadao Ando’s reputation as a headstrong outsider was simply due to the fact that he remained a long way away from Tokyo, working in his hometown of Osaka. Japan’s media, its architecture magazines and leading television production, too, was in the capital. There emerged an awkward gap. Tokyo was a global player, set in an inward-oriented nation still strongly aware of the value of tenacious traditions. This split fed dramatic tensions between the sprawling city and the countryside beyond the capital. It sometimes seemed that Tokyo’s architects had greater influence in cities like San Francisco and Sydney than in Sendai and Sapporo. You can see the same situation in other places todayㅡSeoul, say. A strong center out of step with people on the periphery. In 1980s Japan things many people loved seemed to be of little importance to the architects who were the country’s leading lights. People in second-tier cities and small towns still slept on tatami floors and scrubbed their cemeteries on Obon, while Tokyoites flew off to foreign nations for quick, exotic trips. Roof thatch and careful carpentry lined rural roads, not even legal for the streetfronts of big cities. _Text by Dana Buntrock Katsuhiro MIYAMOTO 1961 Born in Hyogo Prefecture 1984 Bachelors of Architecture, University of Tokyo 1987 Masters of Architecture, University of Tokyo 1988 Established Atelier Cinquieme Architects 1995 Associate Professor, Department of Architecture, Osaka University of Arts 2002 Reorganized to Katsuhiro Miyamoto & Associates 2008 Professor, Graduate School of Engineering and Urban Research Plaza, Osaka City University Major Awards 2010 Excellent Prize, Renovation Proposal for Ichihara City Art Museum “Water and Sculpture Hills”, JAPAN 2010 Grand Prize, Japan Federation of Architects & Building Engineers Association Awards, JAPAN 〈Chushin-ji Temple Priest’s Quarters〉 2011 Annual Architectural Design Commendation by Architectural Institute of Japan, JAPAN 〈Chushin-ji Temple Priest’s Quarters〉 2012 Grand Prize, AICHI-MACHINAMI Architectural Award, JAPAN 〈bird house〉 2001, 03, 04, 07, 08 Good Design Awards, JAPAN 〈"House Surgery"〉 〈SH@64〉 〈KURAKUEN〉 〈SoHo〉 〈KURAKUEN addition〉 〈SHIP〉 〈CLOVER HOUSE〉 2002, 04, 05, 08, 10, 11, 12 Selected Architectural Designs of the Architectural Institute of Japan, JAPAN 〈"House Surgery"〉 〈KURAKUEN〉 〈SoHo〉 〈grappa〉 〈CLOVER HOUSE〉 〈between〉 〈Chushin-ji Temple Priest’s Quarters〉 〈birdhouse〉 2005, 06, 07, 08, 10, 11 Japan Institute of Architects Selected Works, JAPAN 〈KURAKUEN〉 〈SUGARUKARAHAFU〉 〈SoHo〉 〈KURAKUEN addition〉 〈SHIP〉 〈grappa〉 〈CLOVER HOUSE〉 〈"HANKAI" HOUSE〉 〈Chushin-ji Temple Priest’s Quarters〉 〈gather〉 〈birdhouse〉 Major Publication written in English 2010 “Grown” flick studio (JAPAN) 2011 “Twelve houses restored in Japan and Italy” ARACNE (ITALY) 2011 “KANSAI6” Equal Books (KOREA) 2012 “Katsuhiro Miyamoto” Libria (ITALY)
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• Katsuhiro MIYAMOTO'S Works Works 1992 Open_Air Kindergarten 1995 AIDA-SOU Apartment House for Family 1995 Topographical Healing 1996 The 6th Venice Architecture Biennale Japanese Pavilion "Fractures" 1997 House Surgery 1998 Riverine House 1999 SH@64 2000 ? 2001 KURAKUEN 2002 Competition Proposal for New Tomihiro Museum of SHI-GA(poems and watercolor paintings) in Azuma Village 2002 SUGARUKARAHAFU 2003 SoHo 2003 Competition Proposal for "Environment Art Forum in Annaka" 2003 KURAKUEN addition 2003 Minatomachi Underground Project 2003 Kumano Kodo Center Competition Proposal 2005 House on the Stairway 2005 Odawara Castle Town Concert Hall Competition Proposal 2005 Kobe Kaeru Caravan 2005 "Bamboo sheets" 2006 KOKUEIKAN Project Competition Proposal 2006 SHIP 2006 Grappa 2006 CLOVER HOUSE 2007 Hongu Visitor Center Competition Proposal 2007 Put 2007 HANKAI HOUSE 2008 傘?華 Umbrella flowers 2008 Kurakuen Annex 2009 Between 2009 Gather 2009 Chushin-ji Temple Pr...iests' Quarters 2010 Competition Proposal for Water and Sculpture Hills ICHIHARA 2010 N'dam 2010 Bird House 2010 Sylvan Interior 2010 Elastico 2011 Concrete Forest and Gallery Boxes 2011 Joshu-Tomioka Station Competition Proposal:Floating Catenary 2011 Sowing Seeds of Hope 2012 Maeamihama Public Housing 2012 Face of HORAIKAN 2013 Arena Dwelling 2013 Shinpuku-ji Temple Reception Hall 2013 Tooth 2013 Unosumai School Competition Proposal 2013 Fukushima Dai-ichi Sakae Nuclear Plant 2014 Kamaishi Citizen Hall Proposal Competition 2014 Pantagraph 2014 Academic-Industrial Cooperation Laboratory 2014 Shinpuku-ji Temple Reception Hall Extension 2014 Takarazuka Garden Fields Reuse Competition Proposal 2015 Korin-ji Temple Facade Renovation 2017 Backbone 2018 Korin-ji Temple Facade Renovation 2018 Kitakyushu Contemporary Art Center 2019 Bentenshu Belieers' Assembly Hall
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