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¸Å°ÅÁø B(Magazine B) No 62: Moleskine(¿µ¹®ÆÇ) 
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¸Å°ÅÁø B(Magazine B) ¿µ¹®ÆÇ(ÃÑ46°Ç)
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  • ¡á About the Publication Magazine B is an ad-free monthly publication that dedicates each issue to one well-balanced brand unearthed from around the globe. The magazine introduces the brand¡¯s hidden stories, as well as its sensibility and culture, and is an easy but also serious read for anyone with an interest in brands. ¡á About the Issue Welcome to the 62nd edition of B. Years ago, when I was a fresh university graduate just beginning my career, I was very conscious about outfitting myself in a way that I hoped would convey competence and poise. I attended work meetings in pointy-toed heels instead of sneakers, and I was rarely on the go without my quintessential Starbucks take- out cup in hand. In retrospect, I was probably trying to convince myself as much as anyone else. After all, the look of the ambitious and stylish New York workingwoman was a powerful image to aspire to at the time, though it¡¯s hard to say if the heels and the Starbucks actually added to the quality of my work. Steve Jobs¡¯ iconic New Balance sneakers probably got people¡¯s attention for similar reasons, more as a totemic symbol of ingenuity than as a pair of running shoes. And in the same vein, I once heard a stockbroker say his preferred accessory to pair with fine suits was a Timex wristwatch. I suspect his choice of timepiece also had a lot to do with the qualities? flexibility, or perhaps creativity?he wished to communicate. For myself and numerous others, Moleskine notebooks have had a similar totemic significance. From the outset, they made a memorable impression, eclipsing the no-nonsense spiral-bound notebook as well as the fussy, for-show wares of stationery stores. Every element suggested smart, thoughtful design, from the signature polish and texture of the cover material to the rounded edges, the elastic band and the cream- colored pages. It¡¯s no wonder Moleskine was called the Rimowa of notebooks. The company¡¯s strategy to distribute through bookstores rather than stationery shops was also an effective move. It was only a matter of time before the unassuming but unmistakable, pricier-for-a-reason notebook caught the eye of proud philomaths everywhere. The appeal of Moleskine notebooks also goes beyond their design. For the self- styled nouveau intellectual, a bigger draw has likely been the brand¡¯s purported history as the ¡°legendary notebook¡± of thinkers and artists like Matisse, Picasso, and Hemingway. This tagline has in some ways, become a more distinctive marker of Moleskine than its logo. And the legacy it alludes to is one most Moleskine enthusiasts, in their double appreciation for the notebook¡¯s modern good looks and rich heritage, have never thought to question. It¡¯s not surprising that many today consider the brand a century and some odd years old. This is exactly what its makers intended. To put it plainly for any still unsuspecting readers, the Moleskine notebook was actually created by Milanese designers in 1997, in an attempt to ...
  • [¸Å°ÅÁø B(Magazine B) No.62: Moleskine(¿µ¹®ÆÇ) ¸ñÂ÷] 02 Intro 09 Editor¡¯s Letter 12 Memory Lane Memories of Moleskine notebooks 14 Timeline A chronicle of core Moleskine items over the ages 16 Into the Market The Moleskine shop and cafe in Milan, Italy 22 Opinion Isabelle Boinot, artist 26 Lineup Moleskine¡¯s brand-defining product family 32 Values Symbolic elements of Moleskine¡¯s trademark notebook 42 Alternatives Competitors with their own edge 46 Opinion Young-man Huh, cartoonist 52 My Tools The people who use Moleskine as part of their toolkit 62 On the Desk Moleskines on a creative¡¯s desk 70 Opinion Sylvie Betard, stationery brand founder 74 Shops Retail presence of Molekine in three European cities 84 Pairing Products that look even better with Moleskine 90 Recorded The power of records 98 Brand Story Moleskine¡¯s birth and growth 104 Manufacturing A manufacturing process that prioritizes the environment 106...
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