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¸Å°ÅÁø B(Magazine B) No 85: Astier de Villatte(¿µ¹®ÆÇ) 
¸Å°ÅÁø B(Magazine B) ¿µ¹®ÆÇ1 ¤Ó ¸Å°ÅÁø B ÆíÁýºÎ ¤Ó ºñ¹Ìµð¾îÄÄÆÛ´Ï ÁÖ½Äȸ»ç(Á¦ÀÌ¿À¿¡ÀÌÄ¡)
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151page/170*240*0
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¸Å°ÅÁø B(Magazine B) ¿µ¹®ÆÇ(ÃÑ46°Ç)
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  • ¡á About the Publication Magazine B is an ad-free monthly publication that dedicates each issue to one well-balanced brand unearthed from around the globe. The magazine introduces the brand¡¯s hidden stories, as well as its sensibility and culture, and is an easy but also serious read for anyone with an interest in brands.
  • ¡á About the Issue Welcome to the 85th issue of B. Racing toward the deadline for this issue, I took an Instagram break to let off some steam and found a post that I had uploaded four years ago. It said: ¡°Everything feels uncertain and muddied, and we¡¯re living in a time when predicting the future is futile. Housing prices and self-driving cars will not bring us salvation, but beauty-only beauty-can deliver us from this state of uncertainty.¡± From where I stand now, I half agree and half disagree with this sentiment. This year has sent the world into a swamp of uncertainty, and interest in real estate and stocks has grown more than ever. Big data, cost-effectiveness, and disposability now are key factors influencing consumption trends. Of course, the value of beauty is relative and ever-changing, so we can say that each of us finds and enjoys beauty that suits the times. This issue is about Astier de Villatte, a French ceramics brand that values the essence of beauty and focuses on making beautiful products at all costs. Simply put, this brand is faithful to the idea that beauty itself can be utility. In regard to the brand¡¯s aesthetics, people who love Astier de Villatte products say, ¡°It¡¯s satisfying to leave an Astier de Villatte item somewhere and just look at it,¡± and ¡°It¡¯s a beauty that feels like meditation.¡± What¡¯s interesting is that the beauty they seek comes from imperfection. Astier de Villatte items are all handmade by craftspeople using techniques from the Middle Ages, so the surfaces feature curves instead of being smooth edges. The brand¡¯s ceramics look thinner, lighter in weight, and somewhat weaker than ordinary porcelain. The brand¡¯s signature white color of the ceramics is not consistent either, and the spots of earthen color that show through create an appearance of a delicate piece used by someone long ago. The brand¡¯s founders both come from artistic families, and they say that they never intended to pursue perfection from the very beginning. They wanted to allow imperfections and variability to capture unintended beauty in their products. This philosophy is supported by the fact that they do not hire highskilled ceramicists in their workshops. Ironically, that¡¯s why Astier de Villatte products remained so vibrant and many people were enchanted by the brand since its establishment in 1996. Amid all the products that show off their ¡°coolness,¡± the rather understated Astier de Villatte product ironically stands out. Instead of luring in consumers with a lot of fanfare, The brand¡¯s items are designed to forge an emotional bond between the user and the product. Similar is how Astier chooses locations and decorates their shops. The Astier de Villatte shop in Saint-Honor?, Paris looks like an attic or a study of a manic collector, who collects miscellaneous objects that are strewn about here and there. Storage boxes with jewelry-shaped decorations, candle lids featuring Snoopy, and scented erasers all harmonize ...
  • Eunsung Park Content & Editorial Director ¡á Table of contents 02 INTRO 08 EDITOR'S LETTER 12 AT THE ATELIER The atelier where Astier de Villatte¡¯s signature ceramic products are made in the 13th arrondissement of Paris 24 COLLECTIONS Astier de Villatte¡¯s lineups that have built up around furniture and ceramics 38 COMPANIONS: SETSUKO KLOSSOWSKA DE ROLA Sculptor Setsuko Klossowska de Rola presents collaborative products made from natural materials 44 BRAND STORY The growth story of Astier de Villatte, which has formed its unique world based on artistic inspiration from the past 56 SPIRIT Cultural and artistic inspiration along with archiving materials that form the roots of the brand 66 INTERVIEW: IVAN PERICOLI Astier de Villatte¡¯s cofounder and designer Ivan Pericoli 74 INTERVIEW: BENO?T ASTIER DE VILLATTE Astier de Villatte¡¯s cofounder and designer Beno?t Astier de Villatte 82 CRAFTSMANSHIP Craftsmanship at the SAIG printery of Paris and incense...
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